Introduction to Speaker Reviews

Speakers, or Loudspeakers, are a most influential component of an audio system. Regardless of advances in digital signal processing and amplification, speakers will always be an inherently analogue, mechanical component. They have the potential to last not years but decades and as such a purchase decision carries more weight than that of other AV components. There is a tremendous array of speaker designs, including acoustic suspension, ported, band pass, transmission line to name but the most common. There is also diverse transducer technology. The vast majority of speakers will include a high frequency driver, called a tweeter, coupled with one or more low frequency drivers, called woofers. On more advanced models a mid-range driver may also be used. The signal sent to the speakers is divided by the crossover, a collection of electrical components which separates the high, middle, and low frequencies and sends them to the respective transducer.

Active (aka self-powered) speakers are speakers with their own integrated amplification. Active speakers have tremendous potential, when designed and executed properly, to achieve pinnacle performance for a variety of reasons. Superior results can be obtained with relatively lower amplification as compared to passive speakers because the power can be used more efficiently. The crossover will almost always come before amplification, feeding multiple amplifier channels, one for each driver within a single speaker (ie the tweeter and woofer each get their own amplifier). Further, because the speaker driver and amp characteristics are known, each can be optimized for the other (contrast this with conventional speakers where each must be designed to work well, but perhaps not ideally, with a myriad possible variations).

Most audiophiles wrongly assume that the amplification inside an active speaker couldn’t possibly be as good as giant, expensive, external boxes so active speakers don’t enjoy as much popularity in the consumer space as they should (subwoofers being the exception), but are by a wide margin the standard in professional mixing and monitoring setups.

Most active speakers will feature one or more line level inputs and at least an amplifier gain control. Better models will include contour controls and other sound tailoring features

Speakers may be designed for general use, or for more specific implementation such as a particular channel in a multi-channel audio system, or a specific frequency range such as a dedicated bass module, known as a sub-woofer.

Our focus when evaluating speakers is on accuracy, both in terms of frequency response and transient response. We use objective measurements when possible, including quasi-anechoic measurements and impedance sweeps, coupling that with subjective “real world” auditioning.

Review Categories

Speaker Reviews

Gallo Strada 2 Speakers and TR-3D Subwoofers

If you've read any of my reviews before, you know I am a fan of Anthony Gallo Acoustics loudspeakers. I reviewed the original Strada loudspeaker and TR-3 subwoofer in 2010 and was so impressed I almost bought them. The only reason I didn't was because I knew the Reference 3.5 was coming. Those? I bought those, and they are still my reference loudspeaker (however, the 3.5 will be discontinued soon). Gallo claims the new Strada 2 loudspeakers are even better than the original Strada, and the TR-3D is an improvement over then TR3. Both new speakers use almost identical technology to that of the Reference 3.5. Another salvo by Gallo has leveled the paying field between the new Strada 2 and the Reference 3.5s even more. The price of the Strada 2 and TR-3D is identical to the earlier models. The complete system cost with stands weighs in at $4,417 (which includes two TR-3D subs). This used to be a lot cheaper than the $5,995 Reference 3.5. Gallo recently reduced the price of the Reference 3.5 to $3,995, plus an additional $749 for the amp. Now, the price of the two systems is almost identical, within less than $400. The question is, which is better? We will see.

Sony HT-ST7 Sound Bar

For all the things we associate Sony with for home theater, speakers are lower down on that list. Many people scoffed when they decided to introduce a $27,000 pair of speakers, the SS-AR1, but response to them has been phenomenal. They've followed that up with a full set of home theater ES speakers meant to compete with the likes of B&W and other high-end brands. They are also a big player in sound bars with their recent models racking up a bevy of awards. What they haven't had is a product to merge those two ambitions in audio until now. With the HT-ST7 sound bar Sony is taking aim at the high-end sound bar market and offering up a few features that we don't usually see at this price point.

Revel Performa 3 M105 Bookshelf Speakers

Revel has just released the third generation of their Performa speaker line. Dubbed the Performa3's, the new lineup offers nine models – two tower speakers, two bookshelf speakers, two center speakers, two subs and one surround. Revel touts the Performa3's as having an "Ultima2 Heritage at attainable prices". The Performa3's are all-new designs with all-new drivers. The M105's reviewed here are the smaller of the two bookshelf speaker models. They have a 5-1/4" ribbed aluminum mid/woofer and a 1" aluminum dome tweeter that was designed by the Untima2 team. These tweeters are mounted in a new waveguide that lends the speakers a sexy silhouette and a very smooth in-room response. Who could argue with that? As if this weren't enough, Revel decided to price the Performa3's on a very competitive level which makes these speakers a major value-for-money opportunity.

MartinLogan Stage X Electrostatic Hybrid Center Channel Speaker

MartinLogan is most famous for their electrostatic speakers (ESLs). I remember many years ago hearing their full-range model and was astonished at the transparency. Since that time, they have produced ESLs of varying sizes, and in "hybrid" form, meaning that a cone woofer takes care of the low frequencies, which smaller ELS panels cannot reproduce. When home theater became a prominent market, they released the Stage, which used a dome tweeter, ESL panel for the midrange, and cone woofers. The newest iteration of the Stage line is the Stage X, which has a thin film tweeter (called "Folded Motion" by MartinLogan). This type of tweeter is part of the flat panel family of speakers, which includes ESLs, Ribbons, and Planar Magnetic speakers. So, with the Stage X, the high frequencies and midrange are now handled by flat panel technology.

Paradigm Soundtrack (Soundbar and Subwoofer) Speaker System

There is no question that soundbars are a "hot item" for home theater enthusiasts. The soundbar category grew a whopping 68% over all of 2012, with a monumental surge in Q4 2012 alone. Unit sales for Q4 versus Q3 were up 158%, even better, the category of soundbars with a companion subwoofer increased 126% in 2012 versus the prior year. This according a new report from Quixel Research. I can't think of any major speaker manufacturer that does not offer at least one soundbar in their line up.

 

Bryston Mini-T Monitor Speakers

Bryston has a long history of manufacturing high quality amplifiers and digital components. Their products come with an industry leading warranty, reference-level sound quality, and above average build quality. For years their electronics have been paired with high end speakers at various shows, Thiel, Magnepan, PMC and other serious loudspeaker manufactures have chosen Bryston electronics to showcase their sound so I was very interested to hear that they were producing their own speakers.

GoldenEar Technology Aon2 Bookshelf Speakers

As GoldenEar president Sandy Gross says, his desire is to take the sound he manages to get from far more expensive speakers, and engineer that into his own products at a much lower price. With his Triton line of towers he has certainly succeeded, but how good could he really make a $400 bookshelf speaker? They sure sounded good when I heard them at the CEDIA Expo, but those shows are never an environment in which to make any final declarations. With a pair in hand, I was ready to find out.

SVS SB13-Ultra Subwoofer

The SVS SB13-Ultra powered subwoofer features a 13.5" driver with 50mm peak excursion.  It is driven by a 1,000 watt RMS Class D amplifier (3,600 watts peak).  This amp has a dual band parametric equalizer and a unique limiter circuit that retains dynamic shadings even when pushed hard.  The sub is a sealed box design with tight and clean bass.  In fact, my nearfield (1 foot) THD+N measurements were all under 0.33% from 28 - 100Hz at 100dB!

Axiom LFR1100 Omnidirectional Speakers and ADA-1500 Power Amplifier

About a year ago, Ian Colquhoun, founder of Axiom Audio, contacted me to talk about an exciting new design he was working on. It was the LFR1100 omnidirectional tower speaker and it represented a radical departure from not only their other products, but from traditional speaker construction. Needless to say I jumped at the chance to review them, but tremendous customer demand prevented me from getting a pair right away. When a surprise phone call came recently asking where I'd like the speakers delivered, I couldn't help but get excited!

GoldenEar Triton Three Floor-Standing Speakers

After the successful launch of the Triton design, GoldenEar soon introduced the Triton Two, which packed a 1200 watt class-D amplifier powering two 5" x 9" "racetrack" subwoofers, along with a pair of 4.5" midrange drivers and the now popular HVFR folded ribbon tweeter. Triton Three followed on the heels of the larger Triton Two. The Triton Three is a smaller version with one less subwoofer and one less midrange driver.

Triad Gold Monitor Speakers and Silver Subwoofer

Last year, I had a chance to pay a visit to Triad Speakers, which is located in my home town of Portland, OR. They showed how their speakers are designed and built, from the very beginning, to prototype testing, to building and shipping the final product. Unfortunately, the one opportunity that wasn't available at the factory was the chance to listen to their speakers, as they were doing a complete redesign of their listening room from the studs up. On my way out, they let me take home a pair of In Room Gold Monitors and an In Room Silver DSP Subwoofer for review. Now knowing how they were built and designed, I was certainly looking forward to hearing how they sounded.