Say hello to the new Focal Utopia Open-Back headphones. With apologies to Pete Townsend, “Meet the new boss. Even better than the old boss!”

Focal Utopia Open-Back Headphone

Sitting at the top of the heap of Focal’s headphone line, the original Utopia headphones (launched in 2016) were the first shot across the bow and announced in no uncertain terms the company’s intention to become a major player in the audiophile headphone space. And what a shot it was! Coming out of the gate with headphones that many at the time considered the very best available. Jump ahead six years and a fully fleshed-out headphone line later, Focal has seen fit to revisit the mighty Utopia and give her a top-to-bottom refresh.

Highlights

Focal Utopia Open-Back Headphone Highlights

  • New Utopias are visually more organic looking than the originals.
  • Recycled, forged Carbon fiber yokes look stunningly cool and offer improved strength.
  • Despite the same weight, comfort is noticeably better than the originals.
  • Overall, well-balanced, open, and transparent sound signature.
  • Sub bass is visceral. It’s not overbearing, but you will feel it.
  • Treble response sounds sweet and detailed. Non-fatiguing.
  • The Utopias look and feel expensive, with the sound to match.
Introduction

The headphone market, wait…let me qualify that, the higher-end headphone market is a bit of a crazy place. There is a seemingly constant flow of new products with refinements made on every aspect of performance. Starting with the basics like improvements in audio driver materials and technologies. This leads to new and improved tuning targets to help get the final sound closer to the designer’s wishes. Exponential improvements in wireless technology and active electronics are quickly closing the sound quality gap between wired and wireless headphones. The advent of spatial audio is beginning to change the audio experience that we are expecting from our headphones. And finally, with headphones being the most personal of HiFi gear, the demand for higher quality aesthetics, and frankly, just plain “bling” contributes to customization and uniqueness to stand out from the crowd.

Focal seems to have a firm understanding of what is required to thrive in such a competitive space. It currently has a 6-model headphone line with each SKU having its own distinct characteristics, tuning, and style. This “we’ve got something for everybody” approach has garnered a lot of fans and happy customers when it comes to Focal’s headphone offerings. Many regard the original Utopia headphones as a truly world-class design. How does one improve on that? Can the bar be set any higher?

Focal Utopia Open-Back Headphone on table

Late last year Focal announced and released a newly re-designed and updated Utopia headphone. And while I never got a chance to formally review the original, I had sampled it enough times at various shows and events that I did come to consider it something of a benchmark among a handful of similarly capable cans. Focal was kind enough to send me a sample of the brand-new Utopias and after spending a good deal of time with them this spring, all I can say is WOW!

Focal Utopia Open-Back Headphone Specifications
Type:

Open-Back Circum-aural Dynamic Driver Headphones.

Driver:

40mm pure Beryllium full-range dynamic dome driver.

Frequency Response:

5 Hz – 50 kHz (manufacturer)

Sensitivity:

104dB SPL / 1mW @ 1 kHz.

Impedance:

80 Ohms.

Weight:

1.08 lbs. (490 grams).

Color:

Black with Carbon Fiber trim.

Accessories:

1 x 5ft cable (1.5m) with 1 x 1/8″ (3.5mm) asymmetric TRS Jack connector and 2 x Lemo® connectors.
1 x 10ft cable (3m) with 1 x symmetrical 4-point XLR connector and 2 Lemo® connectors.
1 x Jack adapter, 1/8″ (3.5mm) point socket – 1/4″ (6.35mm) point plug.
1 Hard-shell travel case.

MSRP:

$5,000.00.

Company:

Focal Audio

SECRETS Tags:

focal, utopia, headphones, beryllium, open-back, audiophile

Design

Focal Utopia Open-Back Headphone comparission

Comparing the design of the original Focal Utopia headphones to these new ones is an interesting exercise. Visually, from a distance, most people would most likely be hard-pressed to tell a difference between the two. On closer examination, however, it becomes clear that the new Utopia is a completely new headphone with almost every detail of the design having been revised. Back at CanJAM NYC, earlier this year, I had a chance to speak with Mégane Montabonel, Focal’s Product Manager for Headphones, and she walked me through some of the redesign on the new Utopia along with some of the general details of the rest of the headphone line.

Focal Utopia Open-Back Headphone side

Focal Utopia Open-Back Headphone finish

Overall, the new Utopias have a more organic design with less breakup of shapes in the surface details. To my eyes, it’s a far more handsome look. Every line and surface flows into the next. There is a complete lack of any traditional chrome details or text with everything now being fully blacked out. Where there was once a tight-weave mesh on the back of the earcups, there is now a hexagonal pattern grille over mesh in its place. The forged recycled carbon fiber yokes look meaner and more serious than the more polished carbon fiber weave pattern they replaced.

Focal Utopia Open-Back Headphone connector

Focal Utopia Open-Back Headphone cable connected

The headphone cable Lemo connectors now plug directly into the bottom of the earcups versus how they used to plug into a nub on the outside of the earcup. The only details that look close to what once was are the genuine leather headband and the perforated lambskin memory foam earpads.

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Focal Utopia Open-Back Headphone Inside

Focal continues the use of pure Beryllium for the drive unit of the new Utopias. In this newest implementation, the driver is a 40mm “M” profile shaped dome. Similar in concept to the inverted dome tweeters found on many of Focal’s loudspeakers, this M-shaped driver allows for the use of a robust surround for better cone travel and a lower level of distortion coming from the center of the dome itself. Focal states that the driver is operated at full range with no other passive or active augmentation or correction.

Focal Utopia Open-Back Headphone Open Box

In terms of accessories, the new Utopias comes with 2 different cable sets. Both obviously use the two Lemo connectors on the headphone end. The first set is terminated with a 3.5mm portable connector that is threaded to screw on an included ¼” phono plug connector. The second set is terminated with a 4-pin balanced XLR connector. The cable sets have a rubberized sheathing which I kind of prefer less than the braided cords of Focal’s Stellia headphones, but this is a small styling quibble. A proper protective hard-shell case is also included in the package.

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Ultimately, I can best describe the difference between the old and new Utopias like this. If you equated the original Utopias with, say a high-end Mercedes Benz car, the new Utopias would be the full-on AMG performance-tuned version of the same vehicle.

Setup

Focal Utopia Open-Back Headphone Setup

For indoor listening, I used the Focal Utopias with a variety of headphone amplifier combinations including the Topping DX7 PRO+, the Geshelli Labs Archel 2.5XL/J2 DAC combo, and my Benchmark Media HPA4/DAC3 B combo. Focal also sent along a Naim Uniti Atom Headphone Edition to play with as well.

For mobile use, I paired the Utopias with either a THX Onyx dongle amp/DAC or an OPPO HA2-SE amp/DAC when using my iPhone. Occasionally I also used my Shanling M0 DAP paired with an iFi Audio xDSD amp/DAC as well.

All the above home and mobile combinations provided more than enough power to drive the new Utopias to comfortable listening levels with plenty of headroom to spare.

In Use

Looking back at all the open-back headphones I’ve sampled over the years, most of them have had planar magnetic drivers in them. I most certainly have enjoyed them all, but I think I have gotten a little used to that kind of presentation. To me, the Meze 109PRO were the first open-back dynamic-driver headphones that gave me the punch and drive of dynamic closed-back headphones but with that natural spaciousness that open-back headphones afford. Planar magnetic drivers have a quickness and snap to their delivery that works well in open headphone designs, and many can generate plenty of bass these days, but they are different-sounding animals. I suppose you can mirror this experience when you compare planar loudspeakers like those made by Magnepan or Diptyque, to more traditional acoustic suspension or bass-reflex speaker designs. So where am I going with this train of thought? Well, I dearly love the Meze 109PROs as they were a bit of a revelation for me with the whole open-back, dynamic driver sound thing. The new Utopias, in my mind, take everything I love about the Meze and turn it up to “11”! I realize I may be dangerously close to becoming hyperbolic here but, without getting into the world of electrostatics, the new Focal Utopias are as close to a perfect pair of reference headphones as I have ever come across. They are beautifully put together, while not ultra-light they are ultra-comfortable, their tonal balance is exactly where I like it, and then there’s that bass. If your music has it, the Utopia will become a glorious sledgehammer of subsonics for your ears. For me, the Utopias absolutely do it all, with no exceptions or qualifiers.

And a quick mention about the Naim Uniti Atom Headphone Edition that was sent along with headphones. Our Gene Hopstetter reviewed one about a year ago and came away exceedingly impressed. And now, having spent some time with a unit myself, I have to agree that the Uniti Atom HE is somewhat of a beast when it comes to listening with headphones. It’s beautifully designed and intuitive to use, the streaming section is a joy to use with ROON and it can drive just about any headphone I dare connect to it. Focal need not have worried as I have more than an adequate arsenal of quality headphone amplification around. But I’m glad they sent the Uniti Atom HE anyway. The new Utopias and the Uniti Atom HE make for an excellent combination and I’m sure Focal and Naim would love future customers to consider such an obvious and fruitful pairing.

Vini Vici

Vini Vici “Part of the Dream”

Ghost Rider, Make Us Stronger, from Part of the Dream (Compiled by Vini Vici), 16-bit/44.1 kHz from Qobuz.
Regarding that bass I was talking about? Cue up this piece of electronica and you will be treated to a bass onslaught that, through the Utopias, sounds deep, tight, and concussive. I use this track to test the bass response in large, full-range speakers and subwoofers. When I’ve listened to this track on headphones it can definitely be a challenge. The Focal Utopias so far, do the best job at rendering the bass hits with extension and authority without the sound either being reduced to bloated mush or conversely not reaching deep enough. But the track isn’t just about bass. The opening is sweeping and expansive with vocals and effects that bounce all around. The Utopias keep all these synthesized elements clear and spacious.

Bobby Watson

Bobby Watson “Back Home in Kansas City”

Bobby Watson, Our Love Remains, from Back Home in Kansas City. 24-bit/96 kHz from Qobuz.
A smoldering intimate jazz number with Bobby Watson on saxophone and smooth, dusky vocals courtesy of Carmen Lundy. The Focal Utopias project the rich sound of Lundy’s vocals in a balanced and appealing manner. The reverb from the song extends well outside the earcups, and the smoothness of Watson’s saxophone doesn’t obstruct the clarity of the instrument’s tone. The Utopias set up a nice foundation for the song with the acoustic bass and congas sounding solid and impactful. The shimmering of the drum cymbals are especially good, smooth sounding but still with plenty of detail and an appealing brassy sound.

Joe Hisashi & Royal Philharmonic Orchestra

Joe Hisashi & Royal Philharmonic Orchestra “A Room With a View”

Joe Hisashi & Royal Philharmonic Orchestra, A Room With a View (From Kiki’s Delivery Service), from A Symphonic Celebration, 24-bit/96 kHz from Qobuz.
Kiki’s Delivery Service has always been a popular animated movie in our house and its soundtrack is an integral part of its appeal. I’ve been finding more and more of composer Joe Hisaishi’s work on streaming services like Qobuz and this recent re-recording of music from that movie sounds outstanding over the Focal Utopias. The orchestra sounds huge and lush with every instrument section clearly delineated, again with the overall imaging extending well outside the headphones themselves. When the string section was performing the opening chorus via a mass plucking of strings, I could hear all the little individual details around the instruments through the Utopias and the plucks had weight to their sound.

Gregory Porter

Gregory Porter “No Love Dying”

Gregory Porter, No Love Dying, from Liquid Spirit, 24-bit/44.1 kHz from Qobuz.
Another intimate Jazz performance but this time with a male vocal. I’ve occasionally heard Gregory Porter’s voice sound a little thinner on comparable planar headphones, but not so with the Utopias. They render his voice with what I consider the proper amount of body which enhances the impact of his vocal delivery. Especially towards the finale of the song where his singing style switches up from a smooth jazz to a more intense gospel/soul delivery. Some planar cans make this sound slightly harsh whereas the Utopias keep the weight to his voice and the result is more impactful and appealing. The backing piano, drums, saxophone, and stand-up bass add a lovely and spacious foundation to Porter’s vocals, and each element “pops” just enough through the Utopias.

Samantha Fish

Samantha Fish “Faster”

Samantha Fish, Faster, from Faster, 24-bit/44.1 kHz from Qobuz.
A heavily produced blues/rock number with processed vocals and some absolutely searing guitar work. Some headphones will just flatten a song like this out either by lacking in bass delivery or through an overly aggressive top end. The Utopia’s bass delivery gives the kick drum and bass lines plenty of punch while keeping Fish’s vocals clear and balanced and the top end gives the guitars and cymbals just enough bite to their sound. This song is meant to be fun, and you’re supposed to feel the groove. The Focal Utopias deliver here on all counts, nasty guitar solos dripping with distortion and all.

Conclusions

Focal Utopia Open-Back Headphone at a glance

The new Focal Utopias are one of the finest sounding (and looking) sets of headphones currently available. Full stop.

Likes
  • Supremely good tonal balance and presentation.
  • They look stunning.
  • Focal tweaked almost every detail of the old Utopias to create these, leaving no stone unturned.
  • While not the lightest, they are extremely comfortable for long listening sessions.
Would Like To See
  • A braided cord set like the Focal Stellia.

The new Focal Utopias certainly qualify as some of the best-sounding headphones that I have heard to date. It almost pains me to admit it actually because just when I think that there is no way headphone sound can improve, along comes something like the new Utopias to make me grudgingly readjust my expectations. They honestly do it all and do it extremely well. Out of the dozens of headphones I’ve reviewed over the years, I can count on one hand those that I consider reference class headphones to judge all others by. I am adding the new Utopias to that list. In a nutshell, it threads the needle between a balanced, natural sound presentation, with just enough extra “spice” added to make it a fun and enjoyable listening experience. Coupled with the tasteful styling and practical comfort enhancements and these headphones can’t help to be a winner. They sound as “alive” as I’ve ever heard a headphone sound. That alone makes them worth the cost of admission.

Focal has created an enviable line of headphones that cover the gambit of listener tastes and budgets. The new Utopias stand deservedly at the top of the heap, the one “ring” to rule them all!