SECRETS World of Vinyl

The vinyl record trade has accounted for the only growth of physical media sales in the music industry over the previous few years. In 2018, vinyl and playback component sales are predicted to hover around the $1 billion dollar mark. Quite a comeback for a “dead industry.” How did this happen? What spurred the resurrection?

That’s a raging debate, and one that likely won’t end soon. Some audiophiles swear by the sound quality, others prefer digital. Vinyl enthusiasts state that records can carry more sonic information than a CD: digital listeners will say that much of the information is lost in translation, usually during the mass production process or via playback equipment that can’t translate those details anyway. The difference in convenience is undeniable: records can take over your living space. They are easily damaged, and some are manufactured to more exacting standards than others. Digital files, on the other hand, are so easily transported, and stored, that they barely exist at all, and rarely does one encounter an outright defective compact laser disc. (We hear that they still make those, for some reason.)

Vinyl listeners often speak of an analog “warmth” that is hard to describe. One might gain a similar experience by asking a vintage electronics collector about the value and purpose of tube equipment. They will likely tell you that it sounds “better,” but struggle to tell you what the actual tubes even do. What if a record is produced from digital masters? How warm is that? What if you get your hands on a well-produced, all analog production that was gummed up by a poor pressing process? How do you know where a record was pressed in the first place? How much does it matter? Do some labels offer a higher quality of product than others? If so, which ones? These are some of the mysteries that we try to unravel at Secrets. We endeavor to do the legwork so that our readers can make more informed purchasing decisions (or simply be more informed).

Over the years, SECRETS has reviewed gear that is part of the vinyl world, including turntables, cartridges and phono preamplifiers. And we have published technical articles and editorials. SECRETS World of Vinyl assembles all of the vinyl recording reviews, product reviews and technical articles in one place. On the recording front, we will continue to explore more “pedestrian” or “fun” releases in addition to productions geared towards the more discerning listener and the true audiophile. And we will continue to discuss artwork and extras, availability, historical context, and production trivia. But mostly we will focus on the sound. The glorious details that an analog production can reveal, the depth and breadth of the soundstage, the three dimensionality of the listening experience, and the transparency. We look at reissued recordings and new works spanning many genres and eras. Mostly, we aim to have some fun exploring the vinyl medium, and hopefully discover some new music to enjoy as we go. Thanks for reading!

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SECRETS World of Vinyl

Concept Phono Cartridge

Recently in reviews, I've talked about the Loudness Wars that have infected many modern recordings and how music that I enjoy is rendered almost unlistenable by a bad recording. I imagine it might surprise many people to learn that most releases on vinyl require a different mastering technique than the digital release of the same album, and so many of the flaws of the digital master won't be present on the vinyl release. I tested the Clearaudio Concept Turntable with some modern albums recorded digitally and released on CD as well as Vinyl to prove my point.

Clearaudio Concept Turntable

Recently in reviews, I've talked about the Loudness Wars that have infected many modern recordings and how music that I enjoy is rendered almost unlistenable by a bad recording. I imagine it might surprise many people to learn that most releases on vinyl require a different mastering technique than the digital release of the same album, and so many of the flaws of the digital master won't be present on the vinyl release. I tested the Clearaudio Concept Turntable with some modern albums recorded digitally and released on CD as well as Vinyl to prove my point.

Pass Labs XP-25 Phono Preamplifier

Pass Labs is highly renown for their audio components, some of which are pure Class A. Besides preamplifiers and power amplifiers, they also produce phono preamplifiers (also called phono stages), having begun with the Aleph Ono in 1997. The XP-25 is their latest version, which was designed by Pass Labs engineer Wayne Colburn.

A Collection of New Vinyl Releases for the Audiophile – April, 2011

I spent the better part of my formative years in Georgia. By that, I mean most of them. Went to middle school and high school in Augusta until a brief (although not brief enough) layover in Gainesville before finding the Promised Land which is Athens. If you like music, there is no better place to be. As I've never met anyone that doesn't like music, it seems like we could all agree, in consensus, that Athens, Georgia is at least one of the best places in the world to be, live, love, fight, fume, whatever.

Bryston BP-1.5 Phono Preamplifier

With vinyl experiencing such an incredible comeback over the past few years, so have phono preamplifiers, a.k.a., phono stages. They are required because the output of a phono cartridge is so low - on the order of 0.3 mV to 5 mV - that the inputs of preamplifiers that don't have phono stages can't amplify the signal enough for the power amplifier down stream.