Introduction to Speaker Reviews

Speakers, or Loudspeakers, are a most influential component of an audio system. Regardless of advances in digital signal processing and amplification, speakers will always be an inherently analogue, mechanical component. They have the potential to last not years but decades and as such a purchase decision carries more weight than that of other AV components. There is a tremendous array of speaker designs, including acoustic suspension, ported, band pass, transmission line to name but the most common. There is also diverse transducer technology. The vast majority of speakers will include a high frequency driver, called a tweeter, coupled with one or more low frequency drivers, called woofers. On more advanced models a mid-range driver may also be used. The signal sent to the speakers is divided by the crossover, a collection of electrical components which separates the high, middle, and low frequencies and sends them to the respective transducer.

Active (aka self-powered) speakers are speakers with their own integrated amplification. Active speakers have tremendous potential, when designed and executed properly, to achieve pinnacle performance for a variety of reasons. Superior results can be obtained with relatively lower amplification as compared to passive speakers because the power can be used more efficiently. The crossover will almost always come before amplification, feeding multiple amplifier channels, one for each driver within a single speaker (ie the tweeter and woofer each get their own amplifier). Further, because the speaker driver and amp characteristics are known, each can be optimized for the other (contrast this with conventional speakers where each must be designed to work well, but perhaps not ideally, with a myriad possible variations).

Most audiophiles wrongly assume that the amplification inside an active speaker couldn’t possibly be as good as giant, expensive, external boxes so active speakers don’t enjoy as much popularity in the consumer space as they should (subwoofers being the exception), but are by a wide margin the standard in professional mixing and monitoring setups.

Most active speakers will feature one or more line level inputs and at least an amplifier gain control. Better models will include contour controls and other sound tailoring features

Speakers may be designed for general use, or for more specific implementation such as a particular channel in a multi-channel audio system, or a specific frequency range such as a dedicated bass module, known as a sub-woofer.

Our focus when evaluating speakers is on accuracy, both in terms of frequency response and transient response. We use objective measurements when possible, including quasi-anechoic measurements and impedance sweeps, coupling that with subjective “real world” auditioning.

Review Categories

Speaker Reviews

Mixing and Matching: The Paradigm Reference Signature C5 Center Channel Cone Speaker vs. Electrostatics

In most A/V publications, they will tell you to stick with one brand and line of speakers so that the tonality will be the same across the entire soundstage. That's true. But, if you look for neutrality in sound, you can mix and match with no problem. I have used electrostatic speakers (ESLs) in our home theater lab as a reference for years. The problem has always been the center channel. The front left and right ESL are 6 feet tall, and the center channel ESL was only 4 feet, and even then, the motorized projection screen would come down in front of it about a foot. Secondly, ESLs cannot be driven to high SPLs like cone speakers.....So, I decided to use a conventional (cone) speaker for the center channel, the new Paradigm Reference Signature C5 center channel speaker.....Was I disappointed in the results? Read our review to see.

Canton GLE 5.1 Speaker System

This 5.1 speaker system by Canton hails from Germany, a country famous for the design and manufacturing of all manner of precision products: cars, medical devices, tools, and so forth. So I was really looking forward to seeing if the German engineering, manufacturing and QA/QC tradition would benefit this speaker system.

Mirage MX 5.1 Speaker System

I've always been intrigued by Mirage speakers. Their brand and styling are unmistakable. Having never owned a pair and only partaking in a few brief demos, I was eager to spend some time with the MX 5.1 speaker system. I knew the MX speaker system was compact but when the shipping company arrived with a box that was smaller in diameter than my reference subwoofer I started to feel a little disenchanted.

Revel Performa F52 Tower Speakers, C52 Center Channel Speaker, S30 Surround Speakers, and Concerta B120 Subwoofer

In 1996 an announcement was made about a new speaker company being formed under the very large umbrella of the Harman brand. One could say a perfect storm was created when Harman committed their considerable resources, and Kevin Voecks; a protégé of legendary audio engineer Dr. Floyd Toole, was brought on as Head Engineer. Harman wanted a speaker brand to match the quality of its Levinson electronics. These speakers would be designed using pure science and only released to market when proven to out-perform the competition in double-blind listening tests. We know that brand today as Revel.

Canton Reference 5.2 DC Floor-Standing Speakers

Back in mid-2005, I auditioned Canton's new Vento line of speakers with an entire surround package, (although the matching sub had yet to be released). I found them impeccably designed and crafted, and they sounded terrific. In this review, I take a look and listen to the Canton Reference 5.2 DC tower (floor-standing) speakers. More-terrific is what I found.

Paradigm Reference Millenia 300 Tower Floor-standing Speakers, Millenia 30 Center Channel Speaker, Millenia ADP Surround Speakers, and Studio Sub 15 Subwoofer

Talk about mixed feelings! I need to unload all of my biases first since they are sufficient to taint this review. First, I'm a longstanding fan of Paradigm speakers and over the years, I have either owned or listened to a wide range of their products, right from the diminutive Atoms to their flagship Signature models. In this review, I tested the Millenia series.

Atlantic Technology 4400 Speaker System

Addendum to Atlantic Technology 4400 system review - 642eSB THX select subwoofer

I was having trouble getting good performance from the 444SB so Atlantic Technology was kind enough to send me one of their THX Select certified 642eSB subwoofers. Upon arrival, I immediately noticed the size difference. The 642 is quite a bit larger! It also weighs quite a bit more. It was a decent workout getting it unpacked and moved. To me, this is a good sign when it comes to subwoofers. I set the crossover to bypass and cranked up the gain to about 40% then turned on some music. (Read more at the end of review)

Legend Acoustics Tikandi Speaker System with DEQX HDP-3 Processing

Room correction technology for audiophiles has existed for over a decade now, but this technology has not yet seen wide adoption. Many audiophiles just can't stomach a processor messing with the signal. Never mind their speakers might have terrible frequency and phase response, at least when compared to their other electronics! On top of that, interaction with the room causes frequency response errors of well over 10 dB in all but the most acoustically perfect rooms. Still think your signal is "pure?"

Focal Dome 5.1 Speaker System

Many loudspeakers today are marketed more for their ability to blend into a space or make an aesthetic statement than to provide high performance.  Since they are the most visible AV component after the television, sizes and styles vary as much as colors of the rainbow.  With many lifestyle products come compromises in audio quality; not so with the Focal Dome system.

Paradigm Millenia 20 Hybrid In-Wall speakers

Ahh summer time. Time for pools, get togethers with friends and tearing apart walls in search of audio and aesthetic excellence for your flat screen TV. While this may not be the average summer activity for most I'll wager more than a few Secrets readers are in the midst of their own audio-video inspired renovations. Here's my story of an in wall audio adventure courtesy of the new Paradigm Millenia 20 Hybrids.

JL Audio Fathom F110 Subwoofer

It would truly surprise me if anyone reading this review had not heard of JL Audio. Notwithstanding JL Audio's stellar reputation in the car audio world, its Fathom and Gotham series of subwoofers have set the home audio/video world on fire like few products in recent memory.

Revel Concerta 5.1 Speaker System

Revel is the upscale speaker division of Harman International, which includes Infinity, Harmon Kardon, JBL and Lexicon. Revel has been making speakers since 1996 and makes the Ultima2 (~ $26K/pair) and Performa series from which the Concerta gets its lineage. The chief designer of these speakers is Kevin Voecks who also has had a hand in developing speakers for Snell and Mirage. With an audio testing facility built by Harman International in California, all Revel speakers go through a rigorous testing process for voicing and timbral accuracy.