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GoldenEar Dolby Atmos Speaker System Preview

See the complete review of the GoldenEar Technology Dolby Atmos Speaker System

GoldenEar’s lineup of speakers have been receiving rave reviews for many years now, with just about every model winning multiple speaker of the year awards.

Sandy Gross and his team at GoldenEar have committed their research, development, and manufacturing to creating models that set the benchmark for their price points and beyond, so we decided to assemble an all-star lineup from them to create a complete 5.4.4 Dolby Atmos speaker system.

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While I was attending the AXPONA 2017 show this year in Chicago, I spent some time in the GoldenEar room speaking with Jack Shafton, GoldenEar’s VP-Sales and Marketing. At that time the Triton Reference had been shown at CES, but it hadn’t been released yet. Knowing that the Triton Reference review had already been secured by SECRETS’ Co-Editor Piero Gabucci, I brought up the idea of doing a complete theater system review, including the Reference. We talked about doing some kind of “Super-System”, and the idea stuck. With the blessing of Sandy Gross, the GoldenEar Dolby Atmos Speaker System arrived at my house!

Headlining our test system in the front channels will be their brand new Triton Reference Speakers at $8,500/pair. These beauties are not just bigger versions of their award-winning Triton Ones, but rather a completely new design from the ground up. They feature three, 6” x 10” long-throw quadratic subwoofers, four, 9 ½” x 10 ½” quadratic planar infrasonic radiators, two, 6” high-definition reference mid / bass drivers, and a reference High-Velocity Folded Ribbon tweeter. And driving the bottom end in each tower you will find an 1800 watt digital 56/bit DSP subwoofer amplifier!

Bringing up the rear channels in our 5.4.4 Dolby Atmos speaker system will be the GoldenEar Triton Ones. Before the new Triton Reference came alone, the Triton Ones were the top offering from GoldenEar, and they completely redefined what it meant to have audiophile performance at a relatively low price. At $5,000/pair, the Ones were considered true reference-grade speakers, and worked equally well in either 2-channel systems or a home theater environment. With the Triton One, you also get built-in subwoofers featuring a 1600 watt digital 56/bit DSP subwoofer amplifier. So just imagine taking a pair of reference-level speakers with built-in 1600 watt subwoofers, and using them in the back of your theater as your surrounds. Yes, that’s like bringing a 12-guage shotgun to a BB-gun fight!

For the center channel, we are using the SuperCenter XXL, which sits at the top of the center channel offerings from GoldenEar at $1,250. The XXL feature 4, 5 ¼” drivers, 3, planar passive radiators, and GoldenEar’s High-Velocity Folded Ribbon Tweeter.

And finally for our Atmos (height) channels, we are using 4 of GoldenEar’s HTR (Home Theater Reference) 7000 ceiling speakers. At $500/ea, the HTR 7000 has a 7” high-definition cast basket driver, a High Velocity Folded Ribbon tweeter, a complex crossover network, and a high-frequency equalization switch.

For my review process, I will be putting this over-the-top GoldenEar Dolby Atmos Speaker System through its paces with a wide variety of materials both in music and movie playback. And since both the Triton Reference and Triton Ones have separate LFE inputs, I am taking advantage of that option, which gives me a true 5.4.4 configuration (5 main speakers, 4 subwoofers, and 4 height / Atmos speakers)! Without divulging too many details, I can say that my time with this system so far has brought to me an entirely new level of appreciation for both my music and my movie collection.

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Stay tuned for some serious fun!

See the complete review of the GoldenEar Technology Dolby Atmos Speaker System

Todd Cooperider

Todd resides in Columbus, Ohio, and owns a world-renowned auto detailing / product sales / professional training company specializing in Ferraris and other exotic brands. Over the years, he has published hundreds of articles about the fine art of detailing, and enjoys educating and inspiring others to take the craft and business to new heights. The same passion (sickness?) that motivates one to spend 40 or 50 hours polishing a car to perfection is also responsible for Todd’s lifelong pursuit of audio and video nirvana. As a teenager he worked in his local electronics store where he got his first introduction to high fidelity, at which time the chase down the rabbit hole officially began. His first “high end” system consisted of NAD electronics and Phase Technology speakers. During that time of modest budgets, he continued to frequent high-end audio shops around the country and even in the Akihabara district of Japan as he searched for the reference in audio equipment by which all else is measured. Now after years of auditioning, reading, and studying the audio and video industry, he has assembled a few very nice systems in his house that he can enjoy on a daily basis. While ever-evolving, he currently has a house-wide Control4 based system with 7 video zones (wired for 9), and 5 audio zones (wired for 9). His main theater / audio room is a hybrid of two different systems…one being a 2.1 system featuring a Pro-Ject turntable, Sutherland 20/20 phono pre, Pass Labs XP20 pre-amp, Pass Labs X250.5 Amp, JL Audio CR-1 Crossover, Revel F208 mains, and a JL Audio F113 sub. The other part of the system is a full 5.1.4 Dolby Atmos setup with Revel C205 center, Revel F206 rears, and Origin Acoustics ceiling speakers. Processing and additional channel amplification is handled by Integra, with an Oppo BDP-105D. Todd’s desire in writing for SECRETS was to share his passion for audio and video with others, and to hopefully inspire more people to enjoy the hobby as much as he does.

View Comments

  • This is great. I currently have the GE Triton One and was very interested in upgrading my Ones to the new Ref. It would be interesting to hear the sound and thoughts of four full range with powered subs viewpoint. If worth it, I would purchase the Ref for the front and move the Ones to the rear. I also have the XXL center channel and four HTR-7000 at Atmos Height channels. So this really hits home, hope to hear findings soon. Thank you!

    • Garret, I visited a goldenear dealer today. I am looking to purchase the Triton Two +s for my L & R along with the xxl center. Unfortunately I do not have the room to add floor speaker for my rear so I will have to install in-wall goldenears. Can you please tell me how you like the xxl center and the HTR -7000 Atmos Height channels.

      • Hello Donald,

        I understand your situation given the space circumstances. As far as the XXL center, it is great. I hear dialog clear, concise and most importantly they blend with the towers well. I did however on my HT processor set the DB level to +1 to further establish the center channel dialog. As far as the HTR-7000 goes, I use four of them as Atmos height speakers. They sound great, but I should have placed them better in ceiling. I have heard demos from local dealer and I know what they are suppose to sound like. So my advice would be that placement and position is key to getting the most out of the speaker. Happy listening, sounds like a great system in the works!

        • Garret,

          Thank you for your feedback. If I could ask one more question. Are you running external subs. If not do you feel the Triton's produce enough bass to fill the room?

          • I currently have one external sub which is a HSU Research VTF-15H MK2. I bought this prior to purchasing the GE Triton One. I do feel however for music the Triton One bass is more than enough to fill the room. For movies however, I like to become part of the movie and that was what sparked my interest in the GE Triton Reference. I was debating whether to go with some other external subs (GE or SVS) to fill the gaps, but I believe with four Tritons the bass should be more than enough. Lastly placement and measurements is key, and keep in mind what your bass comfort level is and what type of listening level you prefer. The reason I state this is because I tend to listen to movies pretty loud and a stand alone subwoofer from my experience will always give you better performance with less distortion which makes sense because logically the enclosure and amplification is solely for that single driver. There are alot of variables to consider, but ideally for cohesion there should be five identical speakers that produce all frequencies for the best version of surround sound.

    • Garret. Sorry for the delay on this one! We've gotten the video recorded and edited on the article, and now I just need to finish everything up. Stay tuned in the near future for the full report.

      • Thanks Todd, appreciate you answering. Looking forward for the full report. Also wanted to ask your opinion. I currently have a McIntosh MC452 and I use the MX160 for a processor and preamp. I am looking to purcahse a VPI Prime turntable but wanted some advice as far as a phono preamp. Any guidance or advice you can suggest?

        • Hey Garret, Don't mean to hijack Todd's reply thread but I saw your question and thought I would toss a couple of phono preamp suggestions to supplement any that Todd might make. Depending on your budget, either the Parasound Halo JC3+ or the new JC3 Jr would be good choices. The Bryston BP-2 MM/MC is also a solid choice as well. All of them offer loading adjustments, low distortion and a tight tracking of the RIAA EQ curve. There is a review of the JC3+ on our website as well. All the best!

          • Thank you soo much for replying Carlo. I will be sure to checkout the products as well as the review on the website. My thought process was to match the turntable with a VPI phono preamp but I am sure there are better options. Thank you again!

        • Garret. In addition to Carlo's recommendations below, one that really comes to mind for me is the new Pass Labs XP-17 phono preamp. I have a VPI Prime Signature with Cadenza Bronze, with this new Pass Labs pre-amp (in for review), and my system has never sounded better. I've got some albums that I play through this setup on my GE Triton Reference speakers, and you'd like you're listening to electrostats. The Pass Labs XP-17 review will get done after the Goldenear article, but the spoiler alert is this...highly recommended.

          • Wow thanks Todd for the recomendation. I have always been a fan of Nelson Pass, if it was not for the sentimental value McIntosh means to my family and I, I would have probably purchased a Pass amplifier. I have alot of respect for the brand and their product line. So I will check out their phono preamp. Also the Prime Signature is the model VPI turntable I was considering. What do you think of turntable?

          • Up until recently I had the Pass XP-20 pre-amp, and I currently own the X350.8 amplifier. Love the Pass Labs gear! As for the Prime Signature, I can't see how you could ever want or need more from a turntable. It's gorgeous, built like a tank, and the sound is sublime.

          • Hey Todd,

            Are there any stands you would recommend for the VPI Prime Signature? The footprint is not typical size, I was looking for something to hold records and a phono preamplifier. The stand I found was great but does not hold the VPI turntable, it was a stand from Phono Line. Thanks for your help!

          • I had my stands custom made by Massif Audio Design in Canada. I looked around at a lot of other products, and just couldn't find one that I really liked enough. They are beautiful, meet my exact needs, and are as solid as they come. Contact Trevor Doyle up there and tell him I sent you!

          • Sorry to bother you Todd, the place where I am looking forward to purchasing the VPI Prime Signature from has a great deal on a demo Mark Levinson no.515 turntable. Heard any news about this turntable? I know it is fairly new and they worked in conjunction with VPI but was not sure how good it was compared to the Prime Signature. Thanks as always!

          • They are fantastic tables indeed. While I haven't had time with one in my house, I have heard them at my local dealer, and at shows. I would own one without hesitation!

      • I cant wait to read this review also. I have not pulled the trigger on my setup yet. I am between Kef R serious and the Goldenear. I was able to listen to a Kef atmos system and it was amazing for movies. However for music I preferred Goldenear. I was not able to experience Goldenear in an atmos setup so I have been waiting to read this review before purchasing my atmos system.

        • Donald,
          I will be finishing up the article this weekend, and then it will just be waiting to go through the circulation of publishing (which shouldn't take too long). Without divulging too much information, I can say that the GE in Atmos mode is ridiculously good!

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