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Percussion instruments will be reviewed in this section, including drums, cymbals, and similar items.

Meinl 20″ Soundcaster Fusion Powerful Crash Cymbal

John E. Johnson, Jr.

Meinl's Soundcaster series is one of their top lines. They are B20 bronze, with elegant hand hammering and lathing, and the surface has one region near the bell that is hammered but not lathed, while the outer region is hammered and lathed, so you get three playing surfaces including the bell (which is not hammered or lathed). It comes in the Brilliant finish, and is a sure fire attention-getter both in looks and sound.

Cymbals

Meinl 22″ Soundcaster Custom Mega Bell Ride Cymbal

John E. Johnson, Jr.

The bell of a cymbal is much more than just a place to suspend the cymbal from. It contributes a lot to the sound. The larger the bell, in general, the more musical it sounds. A cymbal without a bell sounds very dry. A typical cymbal has a bell that spans about 25-30% of the cymbal diameter. In this 22" Meinl Soundcaster Custom Mega Bell Ride Cymbal, the bell makes up nearly half the diameter across the cymbal. This results in a very unique ride sound, and it also gives "Bell Riders" a huge surface to work with.

Cymbals

Meinl 20″ Byzance Jazz Club Ride Cymbal

John E. Johnson, Jr.

The bell of a cymbal contributes much more to the sound than one migh realize. Nowhere is this more illustrated that in a cymbal that has no bell, such as this 20" Meinl Byzance Jazz Club Ride. It has a dry, light ping that is perfect for small club venues. It has four rivets that add a subtle note to the wash which is very intense compared to the ride ping.

Cymbals

Zildjian 21″ A Custom ReZo Ride Cymbal

John E. Johnson, Jr.

The ReZo line for Zildjian is relatively new, and there are more than a dozen models ranging from a 10" Splash up to a 21" Ride. They are beautiful cymbals to look at, and in my opinion, one of the best sounding models they have ever created. The ReZo has a combination of hammering and lathing, but the lathing is spaced with regions of finely lathed and heavily lathed surfaces. The inner portion of the cymbal is thicker than the outer region. In this review, we look at the Zildjian 21" A Custom ReZo Ride Cymbal. It not only rides beautifully, it crashes nicely as well.

Cymbals

Zildjian 19″ A Custom ReZo Crash Cymbal

John E. Johnson, Jr.

The ReZo line for Zildjian is relatively new, and there are more than a dozen models ranging from a 10" Splash up to a 21" Ride. They are beautiful cymbals to look at, and in my opinion, one of the best sounding models they have ever created. The ReZo has a combination of hammering and lathing, but the lathing is spaced with regions of finely lathed and heavily lathed surfaces. The inner portion of the cymbal is thicker than the outer region. In this review, we look at the Zildjian 19" A Custom ReZo Crash Cymbal to accompany the 20" ReZo Crash review also published.

Cymbals

Zildjian 20″ A Custom ReZo Crash Cymbal

John E. Johnson, Jr.

The ReZo line for Zildjian is relatively new, and there are more than a dozen models ranging from a 10" Splash up to a 21" Ride. They are beautiful cymbals to look at, and in my opinion, one of the best sounding models they have ever created. The ReZo has a combination of hammering and lathing, but the lathing is spaced with regions of finely lathed and heavily lathed surfaces. The inner portion of the cymbal is thicker than the outer region. In this review, we look at the Zildjian 20" A Custom ReZo Crash Cymbal to accompany the 19" ReZo Crash review also published.

Cymbals

Meinl 16″ Generation X Filter China Cymbal

John E. Johnson, Jr.

Cymbals date back thousands of years, and Asia was part of that history. However, their extensive use in music really did not get going until the 17th century AD, and even then, they had a hard time, with composers leaving them out of their music. In the 20th century, their use exploded with the advent of swing in the 1930's, bebop in the 1940's, which then developed into jazz in the 1950's. And, of course, modern classical music uses cymbals extensively. Many of the cymbal companies that exisit today opened their doors for business in the 20th century, Meinl being one of them (1951). What is called the Chinese Cymbal that is used in jazz and rock music today started out with Zildjian developing one for Gene Krupa, and which was called a "Swish" or "Pang". Now, they are all pretty much just called Chinese cymbals. Although they can be very large, this particular one is only 16" in diameter.

Cymbals

Meinl 19″ MB8 Medium Crash Cymbal

John E. Johnson, Jr.

The Meinl MB8 series employs a high copper content, and has a bright, modern sound. The crashes come in medium and heavy. Their sound delivers the corresponding SPLs. Although they are less expensive than some of the other models, they do not give up anything in sound quality, but in fact, have a distinct tonality all their own, which will cut through the rest of the band in any setting.

Cymbals

Paiste 18″ Giant Beat Multi-Functional (Crash) Cymbal

John E. Johnson, Jr.

Paiste's Giant Beat line is quite different than their other cymbals. The Giant Beat's color for one thing. I thought at first they look like they have quite a bit of silver in them, at least the 18" version that I tested, but over a few months, the silvery finish began to turn into a patina, with the more expected coppery color showing through. So, I suspect there may be a thin nickel coating. This possibly gives the cymbal a bright sound, almost bell-like, but without making you want to cover your ears. They are in the medium-thin category and vary by diameter, and are categorized as "Multi-Functional", which means you can use them as a ride or a crash. I would classify this one primarily as a crash cymbal.

Cymbals