Sabian 19″ Vault Holy China Crash Cymbal

In the 1950's Avedis Zildjian got together with Gene Krupa to make something that would be called a Pang cymbal. It looked like a regular cymbal with the edge turned upward, and it had a distinctive Far East sound quality. The Swish cymbal, a variation on the Pang, was also developed, and it had a higher pitch with more wash. Jazz drummers started using Pangs in their kit, and these days, many drummers have several of them, calling them simply China cymbals. While the first one didn't look distinctive except for the turned up edges, the China cymbals of today have all kinds of distinctive characteristics, including engravings. Sabian collaborated with Chad Smith and introduced what they call the Holy China cymbal, because it has holes in it. Drilling holes and slots in cymbals, calling them Special Effects cymbals, is very popular now, and Sabian has done this with the Holy China line. Available in 19" and 21" sizes, the present review covers the 19".

Sabian 22″ AAX Omni (Crash and Ride) Cymbal

Jojo Mayer requested that Sabian design a cymbal that could be all-purpose, namely crash and ride. Of course, you can crash and ride any cymbal, but the sound that is produced is not often suitable. So, Sabian came up with the Omni. Currently, they are available in two sizes, 18" and 22". This review covers the 22" version, and I have to say that the design not only works well, but the two versions make a nice set.

Sabian 18″ AAX Omni (Crash and Ride) Cymbal

Jojo Mayer requested that Sabian design a cymbal that could be all-purpose, namely crash and ride. Of course, you can crash and ride any cymbal, but the sound that is produced is not often suitable. So, Sabian came up with the Omni. Currently, they are available in two sizes, 18" and 22". This review covers the 18" version, and I have to say that the design works very well.

Sabian 22″ HHX Legacy Heavy Ride Cymbal

Cymbals that jazz drummers often seek, but have a difficult time finding are rides that have a dark wash, and a ping that is just above the wash to be heard but not distract from the soloist. The Sabian 22" HHX Legacy Heavy Ride is just such as cymbal.

A Home Theater Build Project – Part II

In this installment I am discussing my upgrade paths and the decisions that went into each change: Video, Audio and Other cconsiderations, including power conditioners. I've presented the changes that I decided on in a chronological manner, as I think that many of us approach our decisions in this way...

Secrets Best of 2010 Awards

The SECRETS Editorial Team is pleased to announce the Best of 2010 Awards. This year we have added some new categories for Media, so look for our awards in the Blu-ray, CD and Vinyl Recordings. And we have established a new award (it is so "Bad", you will have to go to the second page to see it). The Editorial Team also wants to highlight the technologies that we will be paying attention to in 2011, so look for the "Technologies on the Rise Awards".

Congratulations to all of our 2010 WINNERS!!

Sony SCD-XA5400ES SACD Player

Sony originally came out with the SACD format in 1999. Unfortunately for those of us that invested in the format, mass market support never really came around, though in the audiophile community the format still thrives. The SCD-XA5400ES is one of Sony's latest iterations, and is their current reference model.

Meinl 20″ MB10 Medium Crash Cymbal

Meinl's MB10 series is made from B10 bronze, which means 90% copper and 10% tin. The high copper content results in a bright sound, and although high copper content usually gives the cymbal a more reddish color, the MB10's look like B20.

Mark Levinson No 53 Monoblock Power Amplifier

Mark Levinson is a state-of-the-art brand, whose products are purchased by consumers whose bank accounts are also state-of-the-art. Levinson makes no apologies for their prices, nor do they have to justify them. The axiom is simple: If you want the best, it costs a lot. The latest addition to their power amplifier line takes a huge leap from the previous designs, which were Class AB, and which usually were biased well into Class A operation. The Mark Levinson No 53 is a monoblock power amplifier that is a switching design, i.e., the output stage is operated in switching mode, but it is unique in that it interleaves eight switchers to produce a fully balanced output, at a realized switching frequency of 4 MHz.