Mixing and Matching: The Paradigm Reference Signature C5 Center Channel Cone Speaker vs. Electrostatics
- Written by John E. Johnson, Jr.
- Published on 11 February 2010
In most A/V publications, they will tell you to stick with one brand and line of speakers so that the tonality will be the same across the entire soundstage. That's true. But, if you look for neutrality in sound, you can mix and match with no problem. I have used electrostatic speakers (ESLs) in our home theater lab as a reference for years. The problem has always been the center channel. The front left and right ESL are 6 feet tall, and the center channel ESL was only 4 feet, and even then, the motorized projection screen would come down in front of it about a foot. Secondly, ESLs cannot be driven to high SPLs like cone speakers.....So, I decided to use a conventional (cone) speaker for the center channel, the new Paradigm Reference Signature C5 center channel speaker.....Was I disappointed in the results? Read our review to see.
- Written by Jim Clements
- Published on 01 February 2010
This 5.1 speaker system by Canton hails from Germany, a country famous for the design and manufacturing of all manner of precision products: cars, medical devices, tools, and so forth. So I was really looking forward to seeing if the German engineering, manufacturing and QA/QC tradition would benefit this speaker system.
Paradigm Reference Millenia 300 Tower Floor-standing Speakers, Millenia 30 Center Channel Speaker, Millenia ADP Surround Speakers, and Studio Sub 15 Subwoofer
- Written by Larry Hryshko
- Published on 12 November 2009
Talk about mixed feelings! I need to unload all of my biases first since they are sufficient to taint this review. First, I'm a longstanding fan of Paradigm speakers and over the years, I have either owned or listened to a wide range of their products, right from the diminutive Atoms to their flagship Signature models. In this review, I tested the Millenia series.
- Written by Richard Stevens
- Published on 21 January 2010
I've always been intrigued by Mirage speakers. Their brand and styling are unmistakable. Having never owned a pair and only partaking in a few brief demos, I was eager to spend some time with the MX 5.1 speaker system. I knew the MX speaker system was compact but when the shipping company arrived with a box that was smaller in diameter than my reference subwoofer I started to feel a little disenchanted.
- Written by Stephen Hornbrook
- Published on 09 November 2009
Addendum to Atlantic Technology 4400 system review - 642eSB THX select subwoofer
I was having trouble getting good performance from the 444SB so Atlantic Technology was kind enough to send me one of their THX Select certified 642eSB subwoofers. Upon arrival, I immediately noticed the size difference. The 642 is quite a bit larger! It also weighs quite a bit more. It was a decent workout getting it unpacked and moved. To me, this is a good sign when it comes to subwoofers. I set the crossover to bypass and cranked up the gain to about 40% then turned on some music. (Read more at the end of review)
Revel Performa F52 Tower Speakers, C52 Center Channel Speaker, S30 Surround Speakers, and Concerta B120 Subwoofer
- Written by Chris Eberle
- Published on 14 January 2010
In 1996 an announcement was made about a new speaker company being formed under the very large umbrella of the Harman brand. One could say a perfect storm was created when Harman committed their considerable resources, and Kevin Voecks; a protégé of legendary audio engineer Dr. Floyd Toole, was brought on as Head Engineer. Harman wanted a speaker brand to match the quality of its Levinson electronics. These speakers would be designed using pure science and only released to market when proven to out-perform the competition in double-blind listening tests. We know that brand today as Revel.
- Written by Andrew Yang
- Published on 29 October 2009
Do you fault a Mini Cooper for being a Mini and not a Honda Odyssey or a Porsche 911? In evaluating product, a question that is often unasked is "What is the reference?" Often times, particularly in audio or video, the question is unasked because the answer invariably is reality.
- Written by Cory Potts
- Published on 30 November 2009
My first Home Theater in a Box (HTiB) was a Sony unit about 10 yrs ago that went into a 500 sq/ft college apartment and, I thought for the time, sounded pretty good (I bought it on clearance from for $200 including DVD player, receiver, satellites and passive sub).
- Written by Chris Groppi
- Published on 22 October 2009
Room correction technology for audiophiles has existed for over a decade now, but this technology has not yet seen wide adoption. Many audiophiles just can't stomach a processor messing with the signal. Never mind their speakers might have terrible frequency and phase response, at least when compared to their other electronics! On top of that, interaction with the room causes frequency response errors of well over 10 dB in all but the most acoustically perfect rooms. Still think your signal is "pure?"
- Written by Piero Gabucci
- Published on 19 November 2009
Back in mid-2005, I auditioned Canton's new Vento line of speakers with an entire surround package, (although the matching sub had yet to be released). I found them impeccably designed and crafted, and they sounded terrific. In this review, I take a look and listen to the Canton Reference 5.2 DC tower (floor-standing) speakers. More-terrific is what I found.
- Written by Brian Florian
- Published on 12 October 2009
The speaker business has got to be a challenging one.On the one hand, unlike most other CE devices, speakers don't have any inherent rapid obsolescence to them. In fact, good speakers by definition should be viable, literally, for a lifetime. Paradigm's Reference Studio Speakers fit such a definition.