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This is fantastic stuff. Play the first track, Horace Silver's “Strollin',” and you're immediately catapulted into the bebop past, where movies are as black and white as the album cover. Mostly recorded on April 30, 2001, during the Jarrett/Peacock/DeJohnette Trio's historic gig in Metropolitan Festival Hall in Tokyo, pianist Keith Jarrett, double bassist Gary Peacock, and drummer Jack DeJohnette are in swinging form. Listen to them cut loose for nine minutes on Charlie Parker's “Scrapple from the Apple.” The occasional verbal exclamations are hardly gratuitous â€" these boys are flying. Presumably they were just high on life.

It's easy to dismiss Bach's six Brandenburg Concertos assonic wallpaper. Their presence on classical FM, internet radio, iTunes, andconcert programs around the world is virtually as ubiquitous as Vivaldi'snot-always-evergreen Four Seasons. Most recordings, however, are dismayingly routine, with modern instrument players sawing and blowing away as if executing these babies was just another gig on the calendar.

Hold on to your harpsichord, partner. If you think you know Bach's six Brandenburg Concertos inside and out, take a listen to this award-winning two-CD set.