Headphone Amplifier Reviews

VIVA Audio Egoista STX Electrostatic Headphone Amplifier Review

A drop-dead gorgeous Italian tube amplifier for electrostatic headphones. Okay, you now have my undivided attention!

The Viva Audio Egoista STX is a beautifully designed piece of Italian audio sculpture. In gloss black and grey with her six tubes all aglow, she is a cross between Darth Vader and some ominous six-eyed spider head. And yet under the spell of this beast, my STAX electrostatic headphones have never sounded so good!

Highlights

Audio Egoista STX Electrostatic Headphone Amplifier Highlights

  • Zero negative feedback, pure Class A operation.
  • Outputs for two sets of electrostatic headphones.
  • 4 Source inputs plus 1 Direct input.
  • Tubes are a pair of 300B, a pair of 6N1P, and a pair of 6H30PI
  • It made my STAX SR-L700 ear speakers sound better than I’ve ever heard before.
  • Just look at the thing! It’s art!
Introduction

Ozan Turan is a rather interesting fellow, and he has a day job that several audio nuts out there might just dream about. “Oz”, as he is known by those in audio circles, is the US distributor for several fine boutique audio brands. At New York’s CanJAM earlier this year, his company “High End by Oz” was presenting a couple of stunning-looking tube headphone amplifiers from Italian manufacturer Viva Audio.

The first was the Viva Audio Egoista 845. An amplifier that is meant for standard single-ended and balanced headphones. The second, which is the subject of this review, the Viva Audio Egoista STX, is meant to power electrostatic headphones from the likes of STAX, HIFIMAN, etc.

Oz has very good taste and a very good ear, and he was very interested in having me listen to these Viva Audio amps while I was at the show, and honestly, who was I to refuse? Well, besides both being stunning pieces of industrial design, I certainly liked what I was hearing when I sampled both the STX and the 845. Enough that I asked Oz if I could review one of them. At first, I was thinking of the 845, but after some thought, I asked for the STX as I wanted to try it with my STAX SR-L700 ear speakers. I also don’t get to try many electrostatic headset amps and the STX certainly looked and sounded like it had some serious potential. Not long after this, the Viva Audio Egoista STX arrived at my doorstep, reporting for duty.

Audio Egoista STX Electrostatic Headphone Amplifier Specifications
Design:

Tube-based electrostatic headphone amplifier.

Amplifier Type:

Class A with no negative feedback.

Tube Compliment:

2 x 300B in front, 2 x 6N1P in middle, 2 x 6H30PI in back.

Inputs:

4 Source inputs with 1 Direct input that bypasses the preamp section.

Outputs:

2 × Five Pin Stereo Electrostatic Headphone Jack connectors.

Dimensions (w × h × d):

410×185×410 mm

Weight:

21kg

MSRP:

$19,750.00

SECRETS Tags:

viva, headphone amplifier, electrostatic, tubes, 300b

Design

As a design form, the Viva Audio Egoista STX is a relatively simple and elegant shape. The flat top with gently curved sides paired with the deep gloss black face and back plates give it a decidedly Art Deco appearance. While my review sample’s main body color was a slightly uninspiring grey, Viva Audio will consider any body color options that are practical for their headphone amplifier casework. Their website shows off a striking canary yellow STX with gloss black front and back panels to great effect.

 

The front panel features three larger openings across the top. The leftmost opening has a 3-position toggle switch labeled “ON”, “OFF”, and “WARMUP”. The middle opening houses the volume knob while the rightmost opening houses the input selection knob. There are four available inputs on the Egoista STX, including a “Direct” input that bypasses the amplifier’s preamp stage. Any source connected to this Direct input should have its own volume control for safety’s sake.

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Below the center volume control is the Viva Audio company logo with the letter “i” dot acting as the power ON light. Directly under both the toggle switch and the input selector are 5-pin electrostatic headphones connector jacks. These will support electrostatic headphones from the likes of STAX, HIFIMAN, and any other electrostatic headphones wired to work with a STAX amplifier.

The rear panel of the STX features four sets of RCA inputs, three are standard and one is marked “D” for Direct, and one set of balanced XLR inputs. The only other connector on the backside is an IEC power cable connection.

 

The Egoista STX is a self-biasing Class A design (300B tube-based) with zero negative feedback used. This particular 300B model has a mesh plate, compared to a solid plate found in other 300B’s. You can see the small holes in the plate. All internal wiring is point-to-point construction.

Beyond the tubes, power cable, and manual, there are no other accessories that come with this amp.

Setup

 

I paired the Viva Audio STX with my STAX SR-L700 ear speakers, a Topping D90 SE DAC, and my Microsoft Surface 3 PRO tablet which runs my ROON core and digital music network. The cables used were Synergistic Research Foundation SX. I also used four (weight correct) EVP isolation feet from AV Room Service Ltd to isolate the STX amplifier on my equipment stand.

In Use

 

I don’t often get a chance to review very high-quality tube gear, so I confess that I was very much looking forward to my time with the Egoista STX. I was also trying to keep any preconceived notions I had about tubes and tube sound in check and come at this with as open a mind as possible.

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Before each listening session, I would make sure to have the tubes in warmup mode for at least 5 minutes before fully turning the amplifier on, as per the instruction manual.

Some people might think my STAX SR-L700 ear speakers may not be high enough on the ladder to pair with the Egoista STX, but I disagree. Yes, STAX’s higher-tier models may be more resolving, but the L700 is just plain more fun to listen to.

They are a naturally good match with my STAX SRM-D50 solid-state amp. To be fair, I certainly wasn’t looking at this as some sort of head-to-head shootout either. Using the D50 as a control subject, I was mainly curious to see if the Viva Audio Egoista STX would bring something noticeably different to the party.

Steely Dan “Two Against Nature”

O.M.G! It didn’t take more than a minute into Steely Dan’s “Cousin Dupree” for me to be totally bowled over by the Viva Audio Egoista STX. There was none of that syrupy, rolled-off mush that some tube amps try to pass off for good sound. No, the STX sounded smooth and engaging but wasn’t lacking any detail or resolution that I could detect. Transparency was still a large hallmark of the sound signature, and the background was stone quiet, with no humming or buzzing or any noticeable noise floor that I could discern. I felt like it was drawing me into the music in a way I was not expecting. And then there was the way the STX transformed the sound of my ear speakers. It’s as if everything I like about the sound of my STAX L700, including the bass slam and the fluidity of how the upper midrange transitions into the treble just got dialed up a few notches. Switching back and forth between the STX and my D50 amp confirmed that the STX was adding (for lack of better words) more life and body to the sound my ear speakers were putting forth. I found myself just uncontrollably smiling and gingerly inching up the volume knob whenever I would listen to anything through the STX.

Here are a few more detailed notes with some selected tracks.

Annelien Van Wauwe “Belle époque”

A beautiful recent classical recording. Here the STX was quite noticeably smoother than my STAX SRM-D50, giving the solo clarinet more body and dimension during its solo. No noticeable lack of detail or obvious rolling off of the highs along with being moderately more spacious sounding than my STAX amp. The backing orchestra sounded bigger and more immersive when they came in.

Dave Lombardo “Rights of Percussion”

Again, the STX sounded bigger and more spacious. I liked how my STAX amp sounds, but the Viva Audio Egoista STX just gives me more of everything I like. Impacts from the double-bass drum runs were a little deeper and more solid. The sound of the kettles was also slightly bigger with the STX. The 300B tubes in this amp are just able to push my ear speakers farther and make them sound better. It’s almost like I’m getting a better set of headphones in the bargain!

Natalie Merchant “The Fairfield Four”

The Viva Audio Egoista STX definitely gives me a bigger, richer sound on this track. The opening voices of the Fairfield Four singers sounded more spacious next to my drier-sounding STAX amp. Deeper vocal notes sounded more resonant like there was a little extra meat there. Natalie Merchant’s voice was sharper and a little edgier on the STAX amp. It was noticeably smoother and more pleasing on the STX. Tuba notes were more full and spacious sounding on the STX. Harmonica came across as more abrasive on the STAX, yet significantly smoother, and more melodic sounding on the VIVA amp.

Samantha Fish/Jessie Dayton “Death Wish Blues”

And for something a little different, the distortion-soaked guitars and processed vocals of this Blues boogie sounded flatter and slightly grainy on my STAX D50 amp. The Egoista STX immersed me further into the song, making it sound bigger and more appealing while still keeping the main and layered vocals sounding intelligible. The opening guitar riff had noticeably more grunt on the STX. The groove of the music was bigger and more enjoyable. Everything was just slightly more edgy sounding on the STAX amp.

Bela Fleck and the Flecktones “Flight of the Cosmic Hippo”

Once more, the STX amp just sounded bigger, more immersive, and more engaging overall. The banjo picking sounded thinner and less meaty than when played back on the VIVA amp. Notes had more body. The deepest bass notes sounded more impressive on STX. I actually felt them as opposed to just hearing them. The Viva Audio Egoista STX was cementing itself as just a more appealing and fun way to listen to electrostatic headphones.

Conclusions

The Viva Audio Egoista STX headphone amplifier will make your electrostatic headphones sing unlike anything else out there. The sound of its 300B tubes and stunning Italian design make it a completely unforgettable experience and a statement piece.

Likes
  • It looks gorgeous.
  • It sounds gorgeous.
  • Did I say, it looks and sounds gorgeous?
Would Like To See
  • My child finish college so that I can afford one of these!

Now, to repeat, I don’t want anyone to think that I am comparing an almost $20K tube amp to a $1200.00 solid-state amp in some sort of head-to-head face-off. That’s not the point here at all. My little STAX amp is being used as a control subject. In isolation, used with my L700 ear speakers, it is a perfectly delightful and engaging listening setup that has served me well for years. The question is more about what something like the Viva Audio Egoista STX brings to the table. Is it simply just a stylish-looking conversation piece for someone with some spare cash burning a hole in their pocket? Or does it bring some additional legitimate, and definable musical enjoyment to bear? Well, honestly, it does both in grand fashion!

The Egoista STX is a visual work of art, and nothing else looks quite like it. Especially with the right body color and with all those tubes lit up. Sonically, it brought out more of what my ear speakers were capable of reproducing than what I thought was even possible. It made me love my L700s all the more. I have no doubt it will do the same with pricier and more resolving cans. Its sound was smooth, detailed, appealing, and very much bordering on addictive. It is simply one hell of a thing.

Yes, there are less expensive options out there to drive your electrostatic headphones. STAX, among others, makes some lovely upmarket solid-state and tube-based energizers. But as our Editor Emeritus John Johnson discovered in his Feliks Audio headphone amplifier review there is something unique and special about the sound of 300B tubes with headphones. And here, wrapped in their fine Italian bodywork, I am hard-pressed to think of anything else that makes as much of a statement or leaves as much of an impression as the Viva Audio Egoista STX. If you have the means, I most enthusiastically recommend an audition, post haste. You won’t regret it!

Carlo Lo Raso

A native of Toronto Canada, Carlo's interest in audio began at a young age when, unbeknownst to his mother, he started taking apart her numerous transistor radios to see how they worked. This desire for “knowledge through deconstruction” continued through to the family’s 8-track tape player, turntable, headphones, and speakers. Carlo subsequently spent a lot of time in his room. Toronto was a fertile ground for Hi-Fi in the 1970s and 80s and Carlo spent much of his wayward youth hanging out in downtown Toronto stereo shops, listening to all manner of gear and picking the brains of the various store owners. Through that formative experience, Carlo developed an appreciation for good music and good sound reproduction. Also, as a budding graphic artist, the aesthetic aspects of a given piece of gear became increasingly of interest to his eyes. It was at about that time as well that Carlo began purchasing “Audio Magazine” on a regular basis and came to appreciate, in particular, the writing and reviewing of the late Leonard Feldman. Later on, he was also influenced by the writing and observations of the staff at Sound and Vision Canada, helmed at the time by Alan Loft. Carlo graduated from Sheridan College with a degree in Classical Animation and was subsequently employed by Walt Disney Consumer Products for 10 years as a Character Artist and Art Director. Having become disenchanted with Los Angeles, he then decided to strike out on his own. Carlo started his own company and has been freelancing artwork, from his home studio, primarily for the toy and publishing industries since 2001. In 2013, on a bit of a lark, Carlo answered a “Call for Writers” ad from an AV website that he had been regularly reading for about 5 years called Secrets of Home Theater and High Fidelity. He had come to appreciate the website’s combination of subjective impressions along with the objective bench-testing available in several of the reviews. The “B-Team” must have been working that day because by some miracle he was hired as a writer and his first review for the site was published early in 2014. Carlo has been continually writing, editing, traveling, listening, and learning on the company’s behalf ever since. Carlo currently lives in Granville, Ohio with his wife, two sons, and a very old, but chill dachshund.

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