Categories: Cymbals

Sabian 18″ AAX Omni (Crash and Ride) Cymbal

Jojo Mayer requested that Sabian design a cymbal that could be all-purpose, namely crash and ride. Of course, you can crash and ride any cymbal, but the sound that is produced is not often suitable. So, Sabian came up with the Omni. Currently, they are available in two sizes, 18″ and 22″. This review covers the 18″ version, and I have to say that the design works very well.

When crashed, it sounds like a crash. And when played as a ride on the outer region, the sound has a intense wash, while the inner region next to the bell has a drier ride sound. The cymbal truly is Omni.

Specifications

  • Manufacturer Line: AAX Omni
  • Type: Crash and Ride
  • Style: Medium
  • Alloy: B20 – CuSn20 – 80% Copper, 20% Tin
  • Diameter: 18″
  • Metal Work: Hand Hammered and Lathed, Buffed Finish
  • Weight: 4 Pounds
  • MSRP: $403 USA; Street Price $232
  • Sabian

The bell is not lathed or hammered, and the region next to the bell is hammered with the hammering spaced very close together. The outer region of the cymbal is only lathed. This gives you not only the crash availability, but two distinct ride sounds.

The crash spectrum has a peak at 50 Hz, then slowly rises to 500 Hz where it remains smooth until about 10 kHz, whereupon it declines to 55 kHz.

The Level vs. Time spectrum indicates that the crash peaks at 0.1 seconds, making it a moderately fast crash.

I also measured the spectrum of the first 0.5 second of a single ping (so that we are looking mainly at the spectrum of the ping and not the wash) on the outer and inner (next to the bell) regions of the cymbal. The first graph below is the spectrum from the outer region and the second graph is from the inner region. Notice that the inner region next to the bell has less lower frequencies and more energy at 10 kHz than the outer region that is not hammered. This means the inner region has a brighter ping sound to it when riding the cymbal, but of course, you can ride both regions, with two distinct sound patterns.

Click HERE to listen to an audio sample, which will include crash (when appropriate), ride, and bell sounds (these are 24 bit, 176.4 kHz wav files, so be sure your sound card is capable of handling these high resolution sound files). In this case, there are two ride sound samples. The first one is on the outer region, and the second one is on the region next to the bell.

RETURN TO SABIAN INDEX.

John E. Johnson, Jr.

Editor-in-Chief Emeritus. John E. Johnson, Jr. founded Secrets of Home Theater and High Fidelity in 1994, shortly after publishing a hardcopy book of the same title. He served as Editor-in-Chief of Secrets of Home Theater and High Fidelity until 2022. John has been involved in audio and video for more than 50 years, having built radio transmitters, amplifiers, turntables, and speakers from scratch. He was also one of the founders of the Northern California Audio Video Association, now The Bay Area Audio Society. John holds four university degrees, including a Ph.D. in Neuroscience, and has published numerous scientific books, along with dozens of scientific articles on biomedical research topics as well as imaging technology. He was the founder and Editor-in-Chief of two medical/scientific journals for 20 years. John holds several patents, including one on high resolution image analysis and one on a surgical instrument. He has been affiliated with NASA, The National Institutes of Health, The Johns Hopkins University, Stanford Research Institute, and The University of California at Berkeley. He is President of the consulting firm Scientific Design and Information, Inc., which is based in Redwood City, California. John resides in the San Francisco Bay area with his wife and multiple kitties! His daughter, Cynthia, who was an integral part of SECRETS for many years, resides in San Francisco.

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John E. Johnson, Jr.

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