Hello, SECRETS readers! We are excited to inform you that Munich High-End 2024 will take place from May 9th to 12th at Munich’s giant MOC Convention Center. This show has long been recognized as the largest and probably most important on the audio calendar, and with over 600 exhibitors representing over 900 individual brands, it will be a beast to cover.

Secrets Editor-In-Chief, Carlo Lo Raso will be our man on the scene bringing you regular coverage, posted on this page and our social media channels, both during and after the show. Several brands will be using Munich High-End to announce major product launches, and we’ll be doing our very best to bring them to you! One of the fun things about Munich High-end is that, while we will certainly see familiar brands and products on display, we will no doubt be bringing coverage of some more unfamiliar, and unusual brands along with just some downright surprises that we will surely uncover. Oftentimes products that we see at this show, that don’t yet have a presence in the US market, find one after showing here. So, in that sense, Munich High-End serves as kind of a “sneak peek” at gear that might eventually find its way to us on this side of the pond.

Like last year, we want to mention that our Munich High-End 2024 coverage has been made possible through the support of our friends at Fidelity Imports. Fidelity Imports is the US distributor for several superb audio brands including Perlisten, Unison Research, Opera Loudspeakers, Goldnote, Audia Flight, Michell Audio, Soulnote, Acoustic Energy, Diptyque Audio, and more. We are grateful for their sponsorship to help us bring you the high-quality show coverage that SECRETS is known for.

Fidelity Imports logo

So friends, keep an eye on this page along with our Instagram, and our Facebook feeds as we start filling you in on the awesomeness that is Munich High-End 2024!

Note that all prices, unless otherwise noted, are in USD.

And so it begins! The sheer craziness of Munich High-End starts now!

Technics

One of the earliest events of the show’s first day was an unveiling of a new partnership between none other than Technics and Automobili Lamborghini. You read that right, the Japanese masters of the iconic Direct Drive SL1200 series of turntables, hooked up with the original Italian raging bull and the offspring is the new SL-1200M7B. A version of the SL-1200 MK7 that has been emblazoned with a variety of modern Lamborghini automotive design cues, colors, logos, and carbon fiber accents. While you see the bright orange accented table in the photos there is also a complimentary Lamborghini yellow, and green version to choose from too. A most interesting and unexpected pairing to be sure. Frank Balzuweit from Technics Europe, who did the product reveal, and Bill Voss from Technics USA model the new table for us.

TAD Labs

Stopping in to visit our friends at TAD, they had the brand new C700 preamp, along with a D700 SACD player/ DAC with a pair of M700 monoblock amps, which was expected. What was not expected was the new Limited Edition (25 pairs) of R1TX LTD Reference Loudspeakers. Besides the obvious, and beautiful, blue/olive colored finish, these speakers have a new and thicker multilayered isolation base mated with a refined bottom-firing tuned port. This, along with machined multi-layered isolation feet, works to give these R1TX a more powerful and controlled bass extension. Who knew that was even possible or needed with these bad boys! But my goodness did these speakers sound excellent! Superbly musical and yes, the bass was killer! And by the way, the really cool, organic-looking acoustic treatments in TAD’s demo room are courtesy of Polish company Protone.
TAD’s Kazuto Okura, TAD CEO Shinji Tarutani, and TAD German Rep Ingemar Hagblom were all decidedly pleased with the results.

Sonus faber

Sonus faber had a few big things happening at Munich High-End 2024. One of which was the reveal of the new Sonus faber Sonetto G2 series. Electroacoustic Engineer Florian Marmisse gave me the complete details of what went into the all-new loudspeaker series.

 

Apart from the Sonetto G2 launch, the other big Sonus faber event news was an offsite demonstration of the Sonus faber Supremas in the large and decidedly “disco” ballroom of a downtown Munich hotel. Sf’s Livio Cucuzza, Mario Passarelli, and Roberto Gamba were in attendance after having spent the afternoon dialing in the system. Power and control electronics were courtesy of McIntosh, of course, and the speakers were in a grey wood finish that I thought was insanely striking and I think is now my new favorite Sonus faber finish.
The sound in this ballroom space was positively outstanding and, for my taste, notably superior to the previous time I heard the Supremas. The system sounded much more balanced and cohesive in this big room with plenty of space to breathe and perform some audio gymnastics for the crowd.

Ares Cerat

This ginormous Ares Cerat Contendo II speaker system with Erevus Basshorn was just plain bonkers! Both a gorgeous and outrageous million-dollar system, although I will say that from some angles, the speaker’s shape is vaguely reminiscent of a balloon animal. Don’t know that the final sound in that room was all it was cracked up to be (the rooms in Munich can be notoriously difficult for good sound) but for sheer eye candy, it was off the charts!

Perlisten/Trinnov

Perlisten and Trinnov once again combined forces to create an 11.8.6-channel home theater masterpiece to demonstrate another flavor of Trinnov’s Waveforming system. In this pop-up theater without a ceiling, Waveforming processing was being applied in the horizontal plane according to Trinnov rep David Meyerowitz. In any event, the results sounded expectedly amazing, with incredible bass impact and uniformity from seat to seat. The detail and the movement of directional cues were as clear as could be. Processing was via the Trinnov Altitude 32 with amplification by Trinnov and D’Agostino (front 3 channels). The speakers and subwoofers were all from Perlisten, including three S7t towers for the front 3 channels.
Speaking of Perlisten, they were showing off a stack of their new sealed single-driver subs. There are an 8”, a 10”, a 12”, a 15”, and an 18”. Each comes with the full suite of Perlisten’s controls and DSP options. The company was also teasing a prototype of a massive sealed in-wall subwoofer. The D8iws in-wall sub features four pairs of 8” carbon fiber woofers in a force-canceling configuration. Over 170 lbs and with 3000 watts of power this baby will not be for the faint of heart!

DALI

Danish brand DALI unveiled an entire new line of speakers at Munich High-End. Slotting in just below the Epikore 11 loudspeaker, the new Rubikore line gets lots of trickle-down tech from the higher-end KORE and Epikore 11 speakers. Completely manufactured in Demark, the line breaks down as follows: two towers (Rubikore 8 and Rubikore 6 at roughly $12000 and $8000 per pair), one bookshelf speaker (Rubikore 2 at roughly $4000 per pair), one LCR (Rubikore Cinema at roughly $3000 each), and one On-Wall (Rubikore On-walls at roughly $2500 each). DALI had a pair of Rubikore 8 towers on demo at the show and the speakers impressed with their commanding level of clarity and seemingly bottomless bass intensity. The whole line will be available in June.

SVS

Checking in on our friends at SVS, I wanted to see how the reaction here in the “Old World” was the new Ultra Evolution series speakers. Judging from the crowds at the demo I think SVS has a budding wildfire on their hands with these speakers!

Peak Consult

Danish brand Peak Consult is a manufacturer I rarely run into, but the results are always memorable when I do. This year the company had their Dragon Legacy speakers in the demo room when I came by to sit down and I don’t think you could wipe the smile off my face. The sound was clear as bell and dynamic as all get out. These speakers sounded like their limits were well beyond being taxed in the slightest. Add to that a feeling of heirloom build quality construction with a gorgeous wood finish. Not inexpensive for sure, but a unique line of speakers that should be experienced.

Gold Note

We made a stop by the Gold Note display for a pre-show launch event on Wednesday evening. One may not understand the full breadth of products that this Italian manufacturer produces until they see a display like this that pretty much covers every type of gear they make. From streamers to turntables to speakers to amps, it was all here, all in the company shades of gold and black. I’ll need to swing back to get updates on a few new products but one that immediately got my attention was the new HP-10 headphone amplifier. This stout little powerhouse looks to cover all the connection bases. A fully balanced analog Class AB amplifier design (with no DAC) the HP-10 has two flavors of single-ended and two balanced headphone outputs along with balanced and single-way analog inputs and outputs. Its high power output allows it to play even the hardest-to-drive headphones. Tom from Gold Note was telling us that some final tweaking was being done on the analog EQ and Crossfeed system. Price is being finalized and availability will be Q4 of this year.

Vivid Audio/Mola Mola

I wasn’t quite sure what I was expecting when I came to listen to and experience the Vivid Audio Moya M1. The press materials had me expecting that these would be some giant, all-conquering edifice that would completely dwarf everything. In reality, the Moya M1 was less imposing than expected, and yet its design and implementation was like nothing I’ve ever seen. I liken it to Sigourney Weaver seeing the Alien Queen for the first time in the movie ALIENS. Mated to an array of equipment from Mola Mola, and taking the technology from the Giya G1 to the next level, the Moya M1 essentially manhandled the pop-up room they were installed in. They were capable of handling everything, musically, that they were tasked with. I hope that someday I can hear these speakers again in a larger room to get a better appreciation of their capabilities because I feel like this go around I only got a tiny glimpse. It’s more than apparent that Lawrence Dickie and his team are proud of these speakers and they most certainly have every right to be. They make one hell of a statement.

Cyrus Audio

Always fun to run into the lads from Cyrus Audio. Nick Clarke and Bartosz Hajbowicz were all too happy to show off their half-size but full-featured gear on display. While I’m thinking about it, we will be releasing a review of the new Cyrus TTP turntable soon.

Pro-Ject Audio Systems

Pro-Ject had a massive display of several of its products. An ocean of turntables, tonearms, and accessories greeted the attendees at Munich High-End!

Q-Acoustics

Catching up with Alex Munro, Director at Q-Acoustics is always a treat. Here at this year’s Munich show, Alex was filling me in on the newly announced 3000C series of speakers. This line is Q’s new entry-level series and incorporates trickle-down tech from the 5000 line of speakers, particularly the Continuous Cube Cone mid-bass driver. This handsome line consists of a single mid-tower speaker (3050c), three bookshelf speakers (3030c, 3020c, 3010c), and a dedicated center channel unit (3090c). Availability is tentatively set for August 2024.

AVM

German brand AVM shared a display area with Gold Note across the street from the main show convention center. The building was called Motorworld and it houses an amazing array of past and present race cars and high-end supercars as a backdrop. AVM had a wide assortment of their advanced integrated amplifiers, power amps, turntables, and even speakers. Many AVM electronics are equipped with HDMI ARC inputs to better integrate them into a variety of systems. The styling and build quality of AVM’s is expectedly first rate!

Linkwitz Holographic Sound

While at Motorworld I paid a visit to the Linkwitz Audio room and spent some time listening to a pair of very familiar friends. The fully active LX521.4MG with a Panerholtz upper baffle. The setup was using the Analog Audio Designs RTR tape deck as a source, and the sound was utterly delightful. Very much if not a little better than what I heard in my home when I reviewed them. Depth, width, and image detail to enjoy in spades!

Kii Audio

Kii Audio introduced their new Kii SEVEN stand-mount loudspeaker in Munich. The SEVEN is another fully active speaker with DSP, roughly about half the size of the original Kii THREE. It uses a single 1” dome tweeter, one 5” midrange driver, and two side-mounted 6.5” woofers. The speakers use 600-watts of built amplification and disperse their sound in a cardioid pattern. For speakers so tiny, they put out a huge soundfield! Just as the originals did, these little guys impress!

Gryphon Audio Designs

Gryphon was premiering a few new products at Munich High-End this year. The first being the new EOS 5 floor-standing loudspeakers. A step up from the smaller EOS 2.5 introduced last year. Next was the massive Apollo turntable with provision to mount up to two tonearms. Up next was the Gryphon MC Diamond DLC cartridge, and finally the Siren phono stage. All of it was properly menacing-looking statement-class audio gear. Beyond simply checking the new gear, however, was a chance to catch up with Gryphon’s Rune Skov. Unfailingly jovial, and always on the move he is like the James Brown of the audio world!

Audiovector

When I got the initial press release of the Trapeze Reimagined speakers, I suppose I was expecting something like a typical retro homage audio project that would sound…well, kind of retro. Instead what I found was a thoroughly engineered loudspeaker with a cabinet design and build quality that the marketing photos do not do justice to. These stout trapezoidal speakers sounded fantastic in the room with their 3-way layout with a big, appealing sonic delivery that put a huge smile on my face and bass output that just slammed. It’s rare to come across such finely tailored speakers that have the stones to party this hard and still have the delicacy to deliver the finer details of orchestral works too. One of the nicest surprises I found in Munich. Audiovector founder Ole Klifoth and son, current President, Mads Klifoth have a lot to smile about! MSRP is just shy of $20K for a pair, in a choice of 4 finishes.

Innuos

Innuos was featuring their complete line of streaming solutions at Munich High-End.
While showing static displays of their Pulse and Zen-based offerings, they also were running a demo that was switching between their Statement Server and Zenith Server to see if anyone could hear a difference. The system in use had gear from Gryphon Audio Designs and Nagra, along with power treatment and supply by Stromtank. The speakers were a stunning all-black pair of Kroma Atelier Irya from Spain. If you press me, I “thought” I heard a little more meat in the music with the Statement server in play over the Zenith. Whether that would hold up in a double-blind test, I don’t know. Regardless though, I would be quite happy with either solution in my system.

Alare/Audia Flight

These two Italian brands had one of the nicer sounding rooms at the show, and that’s been a reoccurring situation at any show that I’ve run across this Italian pairing lately. The system consisted of a gorgeous pair of Alare Remiga 1 Loudspeakers driven by either a hulking pair of Audia Flight Strumento No. 8 monoblock power amps or a pair of FLS 8 monoblock amps. The source and volume control were courtesy of the new Audia Flight FLS20 SACD player. Everything I sampled sounded excellent on this setup with nothing missing in terms of detail, dynamics, and sheer visceral impact. The fact that the components and speakers are also stunning to look at is just icing on the cake! I’ll be visiting these brands after the Munich show and I hope to give you a closer look at how and why they produce such superb equipment.

ELAC

ELAC had their typical large footprint at Munich High End with a full array of all their products on display. The big news from the company though was the release of the third generation of their affordable Debut line, the Debut 3. The line consists of 2 towers, 2 bookshelves, 2 center channels, and an on-wall/elevation speaker. We will be looking forward to reviewing this very popular series of speakers when they officially hit the market. US pricing is TBD with availability around Q4 of this year. Also snuck a listen to the beautiful white Concentro speakers that were being demonstrated. A lovely sound and some kick-ass bass were coming from those elegantly shaped speakers.

MoFi Electronics

This is Andrew Jones. He is a lovely fellow and a crackerjack speaker designer. These are the MoFi Sourcepoint 888 floor-standing loudspeakers that Andrew designed. The MoFi Sourcepoint 888 sounds positively outstanding for its $5K per pair price tag. I may have even uttered, under my breath, “Take my money now, dammit!” This creates an interesting sort of conundrum. For most people, in most situations, with a target budget of $5K to $8K for speakers, these Sourcepoint 888 speakers handily cover all the bases and could be all they really need. For any of my non-audiophile friends who are looking for an upgrade, and are serious about their music, these are an all too easy recommendation.

Metaxas & Sins

In my eyes, Kostas Metaxas has got it made. As an artist, he gets to create these various audio sculptures that become high-performance hi-fi components that look and feel like nothing else out there. As an engineer, he knows how to extract the best performance out of his creations using the best parts and techniques. The new electrostatic speakers Kostas has been developing the Prinz (smaller) Czar (medium) and Emperor (larger) look to be very cool and impressive additions to his portfolio. He’s even designing a set of Electrostatic headphones to partner with his Ethereal headphone amp. This is bespoke boutique hi-fi at its finest and while it’s the stuff of dreams for most of us, it’s nice to see that there is room in this world for such creativity to flourish. Rock on Kostas!

NAGRA

When I think of NAGRA, I think of professional quality and Swiss precision. Well, the company brought a whole load of that, and more to the show this year. This had to be one of the most gorgeous displays of high-end gear that I think I have ever seen! And paired with the Stenheim Reference Ultime Two loudspeakers, the sound quality in this room more than matched the looks! While keeping on that Swiss precision theme for a moment, have a look at the clear platter of the Reference turntable. Totally looks like a huge Swiss automatic watch movement in there. Inspired design touch that!

ZenSati/Brodmann

The ZenSati/Brodmann display. Pure spectacle in this room. I mean look at those cables! It looks like some mad arrangement of exhaust headers coming from a car engine, or an array of pipes that pump coolant to a nuclear reactor! My hat’s off to the team who set up this room, it had to have been an absolute bear! Top marks for making it look so striking. If I had an award for most theatrical cable display, it would go here.

Marten

The beautiful new Marten Coltrane Quintet loudspeakers paired with Halcro amplification. Smooth and engaging, the combo made for a very nice listen. Not a bad way to spend a Saturday afternoon!

Monitor Audio/Vitus Audio

Monitor Audio brought their top-of-the-line clothespins…. I mean Hyphn loudspeakers to Munich and they were mated to top-shelf control and amplification from Vitus Audio. As striking as this pairing looked to the eye, unfortunately, the ear was not as impressed. I’ve heard these speakers a couple of times before and they are capable of much better sound than this room was permitting here. A bit of a letdown.

Wilson Benesch

I think it should be declared that Wilson Benesch be made the official speaker manufacturer for every Sith Lord in the outer rim galaxies! This setup is the perfect thing if you fancy owning what could pass as Darth Vader’s stereo rig. And take a gander at the design of their new tonearm. If that is not a product of a practitioner of the Dark Arts, then I don’t know what is! Absolutely gorgeous artful sculpture. And while the Wilson Benesch aesthetic may be totally Darth Maul, the sound quality is totally Yoda. Balanced, powerful, and completely in sync. Suitably accompanied by the fine electronics of Ypsilon.

YG Acoustics

YG Acoustics had a full-on display of what seemed like the majority of their lineup at Munich and it was visually impressive. Powered and controlled by Boulder Electronics, they were featuring the new limited edition XV 3 Signature loudspeakers. This is a 4 chassis design that has two completely separate bass sections from two main towers. The speakers were presented in a more subdued gunmetal-type finish that I thought was striking. Sonically these aluminum beasts pressurized the room like nobody’s business. The bass was exceptionally tight and impactful. The top end may have been a little bright for my tastes but I chalk that up to the room. YG was also running their active XX Live speakers (an active version of YG’s 20th Anniversary XX3 loudspeaker) at various points during the show, but I, unfortunately, couldn’t make it back to experience one of those listening sessions.

Soulnote/YG Acoustics

Soulnote had a flotilla of their wonderful 3-series electronics and amplification paired with an ebony black pair of YG Acoustics Sonja 3.2 speakers. Rounding out the gear was a Vertere Acoustics MG-1 Mk II turntable with a DS Audio Grand Master EX optical cartridge. So in stark contrast to YG’s own room, the sound in the Soulnote room was smoother and more liquid, much less in-your-face. I ended up lingering in this room for quite a bit.

ESD Acoustic

Do you like horns and field coil drivers and stuff of that ilk? Well Chinese manufacturer ESD Acoustic brought out the big guns in Munich with their just-shy-of-a-million-dollar Super Dragon speaker system. It was a humongous system that took up a humongous room. While I was visiting, they played some Japanese taiko drum tracks and then Pink Floyd’s Time from DSotM. It was certainly a powerful and different sort of presentation.

IsoAcoustics

A justifiably proud Dave Morrison from IsoAcoustics stands by some physical testimonials to the efficacy of some of his isolation products. The latest being the Sonus faber Suprema.

ARCAM

Last year ARCAM launched its new Radia line of components, ushering in a completely new feel and design language for this stalwart British brand. Here in Munich, ARCAM released their second wave of Radia gear to bolster the line. Just released are the new and larger SA45 streaming integrated amplifier with built-in streaming, 180 watts per channel, dual subwoofer outputs, and DIRAC Live. Next is the SA35 with the same feature set but with 120 watts per channel, and then the ST25 stand-alone streamer which supports all major streaming services and will be ROON Ready after launch. US pricing is TBD and availability should be by Q3 of this year.

FOCAL

The “belles” of the ball at Munich High End were the 2 new and very stylish passive headphones by FOCAL. They are the just-released Closed-back Azurys and Open-back Hadenys. Priced at $549 and $699 respectively these new headphones look to bring the quality and style that FOCAL is known for to a more approachable price point.

Unison Research/Opera Loudspeaker

Unison Research/Opera Loudspeaker is another set of Italian sister companies I will be visiting after Munich, they had some interesting new products that they were featuring at the show. First were specially upgraded versions of their popular Simply Italy, Triode 25, and S6 tube integrated amps. Globally called the “Black Edition”, these products have upgraded internals and circuit paths to allow for lower distortion and crosstalk and increased overall performance. They also feature an updated all-black aesthetic with nickel-plated accents that modernize the look.
Next, Opera was showing a new entry-level line of loudspeakers that is premiering with two models. First is the Prima two-way bookshelf loudspeaker and next is the three-way Quinta floor-standing loudspeaker. Both models are still completely handmade in Italy using high-quality, locally sourced components and the only real cost-saving measure I could detect was the use of vinyl wrap instead of real wood or veneer. US pricing and availability are TBD.

STAX

It was an absolute blast catching up with Audrey Felix and Douglas Ip from STAX. They are just downright lovely people and they had some exciting news to share. Launching at the Munich show was the new STAX SRS-X1000, a compact turnkey introduction into the world of electrostatic headphones. A “My First STAX” if you will. But make no mistake, these are not toys. The SRS-X1000 starter set combines the brand-new SR-X1 headset with the SRM-270S amplifier in a streamlined affordable package targeted at $1K in the US. Could this set possibly sound worthy of the name at this price point? Only one way to find out. It was at the end of the show on Saturday so things had quieted down significantly, and we were in a closed-off small meeting room which helped with distractions. The earspeakers were light and comfortable with nice soft sheepskin earpads. They have a standard STAX connector on the end so no proprietary connections to be saddled with. The amp is simple and straightforward with a paralleled signal bypass so it can be easily integrated into a stereo system. And then the sound….O.M.G! When I was a teenager looking at STAX Lambda rigs at the HiFi shop and thinking they were far out of reach, I so wish that this had existed back then! These sound a lot like my Lambda SR-L700, so much fun, and they have bass! Not ridiculous amounts but it’s there and very solid. I just started to giggle uncontrollably. I REALLY like these and only some more time and a more thorough review will tell but, I think STAX has a barn burner of a product on its hands!

HIFIMAN

It is always a pleasure dropping in on HIFIMAN at any show because one never quite knows what they may be up to. And at Munich, they were up to quite a lot. First I presented Dr. Fang Bian with our 2023 Best Closed-Back Headphone award for the HIFIMAN Sundara Closed Back. Next, I got to listen to a production sample of the new Mini Shangri-La Electrostatic headphones and matching amplifier. Taking some design cues from some of the latest company products, the Mini Shangri-La seems like an easy and approachable way to get into the sound of electrostatic headphones. The sound quality is typical of a number of HIFIMAN headphones with an airy, extended sound.

Ferrum Audio/Clarus Cable

I always like checking in on our Polish friends at Ferrum Audio. They had a seriously packed booth every time I passed by. And a stack of their Hypsos power supply, Oor head-amp, and Wandla DAC still makes for one of the best and most flexible headphone listening rigs out there. Ferrum was sharing a booth with Clarus Cable which had examples of their Crimson Mk II cable on display.

ViVA Audio

I was pleased to drop in to see Giampietro and Amedeo Schembri of ViVA Audio and present them with a 2023 Thumbs Up award for the Egoista STX electrostatic headphone amplifier. Also in attendance was US distributor Ozan Turan of High End by Oz.
While at the booth, I snuck a listen to a new dual chassis, dynamic and electrostatic headphone amplifier prototype based on 845 tubes. With it’s sharper lines and massive proportions it easily drove the HIFIMAN Susvara headphones that I had hooked up. Very smooth and liquid sound with excellent bass slam when called for. No info on pricing or availability yet, but keep your eyes peeled for this one!

Matrix Audio

Chinese manufacturer Matrix Audio has developed a reputation over the years for its high-quality yet reasonably priced DACs and streaming components. Here at Munich, the company surprised with a decidedly more upmarket approach with a new series of separates. Beginning with the MS-1 Streamer ($9599.00), then the MP-1 Analog Preamplifier ($6699.00), and finally the MA-1 Stereo power amplifier ($7,999.00). The MS-1, besides being a streamer, can act as a preamp with a couple of analog inputs and an MM and MC phono input too. It converts all incoming analog signals to digital for processing and can digitally output them as well. For its analog outputs, it goes the extra mile with a reed relay-based precision analog volume control.
The MP-1 is a completely analog statement piece with multiple analog outputs that can be independently level-adjusted. A fully balanced design, again with a precision reed relay volume control system for optimal channel matching.
The MA-1 is a Class AB power amp rated at 250 watts per channel into 8 ohms, which will almost double that figure into 4 ohms. When mated here with the Fink Team Borg Episode 2 speakers the sound was dazzling, and about as transparent as one could want.

Silent Pound

Another pleasant surprise at the show was found off-site from Lithuanian speaker manufacturer Silent Pound. This unique design called the Challenger II featured an MTM driver array that disperses sound in a cardioid pattern while the bass section was completely open baffle in execution. Using a fully passive crossover design with no DSP, the Challenger II threw an enormous and enveloping image yet seemingly without sacrificing midrange and treble details. Imaging was, in fact, very specific with instruments and vocalists being precisely placed in space. And being true to the Pound in the company name, the bass did just that, it pounded. Hard. The company is currently seeking US distribution and if they find some, they were estimating a pair of Challenger II to cost in the $25K to $30K ballpark for a pair. I hope they find it. These speakers sounded too crazy good not to share!

Orchestalls

I love seeing unique and unconventional designs in HiFi and Orchestalls loudspeakers certainly qualify here. With their speaker’s individually isolated and adjustable driver enclosures, it makes for a system that can be acoustically tuned, to some degree, for your listening position. Listening to the larger of the two models on demo, I have to say that they rendered the classical music pieces that were played with great detail and scale. I didn’t get a chance to try them with other types of music though, and I would have been curious to have heard how they fared. Very neat concept!

HiFiROSE

HiFiROSE is on a roll with its interesting product offerings and unique design language. New at Munich the company was showing off new RD160 DAC with its block diagram style display and the RA280 integrated amplifier with Class D GaN-FET amplification. The display unit’s casework looked and felt gorgeous as did the actions of the controls. No US pricing or timing was given, unfortunately.

Diptyque/Kora High Fidelity

Diptyque and Kora High Fidelity were sharing a room in Munich. Diptyque had much of their product line at the show and during my visit, the DP160 MK II planar speakers were in play. They were sourced, controlled, and powered by a full suite of Kora High Fidelity electronics. The sound was excellent for a show. Spacious yet detailed with no lack of drive in the bass regions. Very much what I expected from Diptyque and I could have sat for a lot longer and just wiled away the hours. It was also excellent to catch up with Eric and Giles from Diptyque.

Meze Audio

Winding my way into some headphones, Meze had a standout display at the show with a couple of notable products on hand. First was a new pair of open-back cans called the 105 AER. This stealthy black set of headphones shares some design cues from the 109 PRO but is essentially a different beast altogether. Tuned with a more neutral-sounding presentation, I found them to be an engaging first listen and would like to spend some more time with them.
The next was a new affordable in-ear monitor called the Alba. Designed as a “gateway drug” to the Meze brand, the Alba is said to also be tuned with a generally neutral sound signature, but with a touch of warmth. The Alba also comes with a USB-C dongle DAC/headphone adapter allowing these little pearl-colored IEMs to be used with any USB-C-enabled smartphone. Prices for both products are TBD.

Feliks Audio

Dropped in to see Feliks Audio at the Munich show and presented them with our 2023 Best Headphone Amplifier award for the Feliks Audio Envy 300B. Congrats!

Erzetich Audio

Slovenian manufacturer Erzetich Audio had some unique-looking and great-sounding headphone gear at the show. Case in point, the Charybdis planar magnetic headphones. For a starkly industrial/brutalist-looking design, the headphones felt surprisingly light, were extremely comfortable, and had an appealing balance to their sound quality. They were driven very well by both the FiiO M23 review sample that has been traveling with me (balanced connection) and Erzetich’s own Scylla and Deimos desktop headphone amplifiers. Both are dual mono Class-A designs (the Scylla is completely balanced) and have killer aesthetics. Currently looking for US distribution.

Dan Clark Audio

Stopped in to say Hi to Andy Reagan and the gang at Dan Clark Audio. Any chance to get a listen to the recently released Dan Clark E3 headphones is an opportunity not to be missed. The mid-line closed-back model slotted between the high-end Stealth and the more affordable Aeon 2 Noire has some of the best qualities of both. MSRP is just shy of $2K for a pair.

AV RoomService Ltd.

Norm Varney Head of AV RoomService had a booth at the show, but he spent much of his time consulting with potential customers and running back and forth to other company’s display rooms delivering and setting up samples of his acoustic and isolation products to use in their displays. Here he is speaking with Canadian vocalist Anne Bisson and her manager (and husband) Daniel Jacques about the importance of acoustics in both recording and performance spaces. And in the video below, Norm walks me through some of the isolation and acoustic treatment products he was featuring at the show.

Nagaoka

When it comes to phono cartridges, Nagaoka is a brand that has existed since 1940, starting in the watch and clock parts business and adapting to phono parts in 1947. They have continued to adapt and grow into other areas over the years but they have never stopped making phono cartridges. The company had a large presence in Munich and they were marking the release of two new Mono phono cartridges, the MP-Mono 0.7 and the MP-Mono 1.0. Recognizing that mono records, especially older ones, can have specific playback needs, Nagaoka designed purpose-made cartridges with elliptical styli to better match the cutting lathes of the day. The version with the 0.7 mil stylus is better suited for mono records from the mid-1950s onward, whereas the 1.0 mil stylus better fits the grooves of mono vinyl cut from the mid-1940s to the mid-1950s. It was also a distinct pleasure to meet Kae Nagaoka, the current President of the company that carries her family’s name and tradition.