Looking forward to another fun and exciting event and we hope you enjoy our coverage!
As they did last year, Estelon, Vitus Audio, and Crystal Cables joined forces to provide invited press a pre-AXPONA taste of what heaven might sound like.
Aldo Filippelli of Luxury Audio Group (distributor of said brands) presented a beautiful looking and sounding system consisting of the Estelon Forza loudspeakers ($169,000/pair), the Vitus SL-1203 Mk I stereo preamplifier ($40,000), the SD-025 Mk II DAC ($30,000), the Vitus Audio SM-103 Mk II mono amplifiers ($75,000/pair), and the Innuos Statement NG music server ($21,700).
The cables were Crystal Cable Art Da Vinci series and the new limited edition Crystal Cable Infinity power cables (only a 200 edition run) were used on the amps. ART passive 6XS, 22XS, and 9XS electromagnetic treatments were in use to help with room acoustics.
The speakers were shown in what had to be one of the most striking finishes I’ve ever seen, an infinitely deep purple hue called “Violet Night”.
Through the various tracks that Aldo played for us, it was clear that this system (as configured in this room) was sonically of the highest level. It seemed to handle the entire musical bandwidth effortlessly, imaging with excellent precision and spatially sounding extremely appealing. And it did it all while looking as stunning as hell.
Do you need a system like this to enjoy your music on a deep and highly involved level? No, of course not. Would you want a system like this to perform that kind of service? Ask me and I’ll tell you, absolutely! Right down to the very tips of my toes!
The additional “secret sauce” was the use of DIRAC Bass Control in the melding of this system. With one subwoofer behind the speakers and another well off to the right of them, the sound was outstanding with a completely seamless blend between speakers and subs. Paul played several challenging tracks and I could not detect any sonic gap anywhere. Superb sound for not unreasonable money.
I visited the room sponsored by Harmonia Distribution and got to meet with the “Fine” folks from Fyne audio. I shot a little interview with Dr. Paul Mills and Andrzej Sosna which will be posted soon where they discuss the company’s history and some new products. After the interview I had a chance to listen to the gorgeous Fyne Audio Vintage 15 loudspeakers powered by the equally gorgeous Pathos INPOL Legacy Integrated amplifier from Italy.
I dropped in on our friends at HARMAN Luxury Audio where we saw much in the way of ARCAM Radia electronics, JBL electronics and speakers, Revel speakers, and the new uber-sexy ROON Nucleus Titan.
We were also delighted to catch up with HARMAN’s Jim Garrett to present him with our SECRETS 2023 Product of the Year award for the JBL 4329P Active Studio Monitors.
They are like the “Rat Pack” of the Audio Show circuit! Richard Colburn, Mat Weisfeld, and Frank Doris. All we need is for this show to be on the Vegas strip! 😁
The incomparable Paul Barton, founder of PSB loudspeakers. A great teacher on all things loudspeakers and headphones plus, he’s a genuinely swell person.
The always exceptional David Solomon from Qobuz. Qobuz was the official streaming sponsor of AXPONA.
In a room sponsored by Fidelity Imports, our friends at Perlisten were featuring a very potent combination of the R5m monitors and a pair of the new beastly R18s subwoofers. The system was controlled by a Primare SP25 preamp/processor ($5,299) and powered by a pair of A 35.2 power amps ($4K each). While we’ve previously reviewed the R5m monitors ($6K per pair), the new R18s subs ($5K each) are sealed box subwoofers each with a 1000 Watt RMS amplifier, an 18” fiberglass-coned driver, and extensive DSP controls built in.
The Primare SP25 Prisma is touted as an audiophile-grade cinema processor complete with DIRAC Live on board. The two A35.2 power amps were being run in bridged mono mode sending 800 watts to each monitor. Excellent sound in this room with a seamless blend between monitors and subwoofers. And yes, the R18s beasties “slammed” while remaining detailed and articulate.
Geno Bisceglia explained that these were new separates that the company will start producing and they are based off the Zoofa integrated amp architecture that they have been developing. The Giuseppe is a full featured analog preamp with MM/MC phono and headphone sections. The GZ300 amps are rated at 300 watts each into 8-Ohms.
They were playing through a pair of Acoustic Energy AE520 loudspeakers which sounded absolutely outstanding in this room. Prices are TBD but the products are as always unique, very real, and coming our way.
A NAD Masters M66 preamp was in control of everything, anchored by a pair of NAD Masters M23 power amps, each running in mono. A pair of DALI SUB K-14F subwoofers were there as well to help bolster the lowest octaves in that huge open atrium space. I just love the sound of these speakers and they’ve never failed to impress me. They seem to handle everything well from top to bottom showing no signs of becoming “wooly” or overwhelmed in such a cavernous space with lots of glass around them.
In the category of “Stuff I could never afford, but still lust after because it is so cool,” I submit to you the contents of this room.
The darTZeel CTH-8550 Mk II Integrated Amp, the LHC-208 Integrated Amp/DAC/Streamer, and the NHB-108 Model Two Stereo Amp. Spinning vinyl was a Technics SP 10 turntable with custom tonearm and gorgeous wood plinth. The speakers were Stenheim Alumine Three. Cables were courtesy of Kubala-Sosna. This room just oozed style, coolness, and class and had the sound to match.
I call this photo “The Sound-Meisters of Michell.”
Powered by Soulnote electronics and sourced by a Michell Gyro SE turntable, the sound was refined and dynamic, with plenty of body and detail. The bass may have been slightly limited by the room but was still solid. The Corinium themselves were beautifully finished and felt almost ridiculously inert. Almost like a lead box!
FOCAL-NAIM had substantial presence at AXPONA with a ballroom loaded to the gills with representation from each of their lines. I shot a quick video walk-through to give you an idea of the size and scope of it.
At AXPONA 2024, FOCAL also scored a “two-fer” as I presented FOCAL’s Wendy Knowles and Seb Dugas our 2023 Best Of awards for Best Wireless ANC Headphones (FOCAL Bathys) and Best High End Headphones (FOCAL Utopia).
Alta Audio was sharing a room with Infigo Audio. Infigo supplied the electronics in the form of the Method 7 preamp, the Method 4 DAC, and a pair of Method 3 Monoblock power amplifiers. VPI took care of the sourcing with their Avenger Direct turntable.
Alta Audio was showcasing their new full range loudspeakers, the Aphrodite. The speakers are a 4-way design with an open baffle configuration for the treble down to the upper-bass, and what Alta describes as a “hybrid transmission line” configuration for the lower bass. Sitting down and listening to the system, I found the sound to be very appealing. The soundstage was wide and deep with a bass reach that felt deep and solid. It’s the kind of sound you could get lost in for hours if you’re not careful!
The second room had the new TAD GE1 floor-standing speakers, again with a full suite of TAD electronics. Each room sounded splendid with bonus points going to the GE1 for the lower bass reach which is to be expected. It was also great catching up with TAD CEO Shinji Tarutani and Kazuto Ohkura who came in from Japan for the show.
BTW, a quick look inside the Cipher DAC shows an impressive level of quality, particularly in the power supplies. Wells Audio also took care of the power conditioning with their Looking Glass II power conditioning. All cabling was courtesy of Cardas.
PAD-HiFi’s Dave Malekpour also sat in with me to listen to the room and was quite taken with what he heard. The cherry on top is that Jeff Wells and his daughter Kristen Toole are just genuinely lovely people.
This allows each array of panels to have a more uniform response in room and allows the speaker to dig deeper into the frequency range. The second new product was the dual tonearm Perambulator turntable. It’s essentially a floating sculpture that just happens to play records but the design does not come at the expense of performance.
The heavy two-piece scalloped acrylic and aluminum platter is purposely designed to suppress any vibrations. The recessed label area built into the platter also allows for the record to lay completely flat. The whole structure is CNC’d from a block of 6061 aircraft grade aluminum to minimize resonances and it uses an extremely accurate Swiss Maxon motor. The tonearm tubes are pure titanium.
The Solitaire integrated amp, Tourbillon RTR tape deck, Ethereal headphone amp, and Siren loudspeakers that we saw in Florida also made a return appearance to wow the show goers. Basically, this is audio artwork at the highest level.
More down to earth though was Kostas Metaxas himself. We had a lovely time catching up along with Reel Sounds president Jeff Garshon and his daughter Cameron.
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