OpEd

Does anyone need an audio system that can play up to 20kHz or more?

Well… “anyone” is a very broad category.

Let’s specifically discuss young people – for the purpose of argument, those under 40 years of age for women and 30 years of age for men, and assuming that none have been exposed to excessive noise including gunfire, concert-volume entertainment, loud motorcycle or auto engines, high-volume headphones, boom-box cars or work in noisy environments. Now that we’ve eliminated practically EVERYBODY, let’s talk about hearing.

A young person with normal hearing should be able to hear 20,000Hz. Some may hear slightly higher frequencies, some slightly lower. But the agreed-upon medical norm is that 20kHz is the upper limit of young and healthy ears. In theory, young people would be able to hear the difference between a music system that could reproduce 20,000Hz and another that could only reproduce 10,000.

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But an individual’s high-frequency hearing declines with age and with use. How much and how fast depends on a plethora of things that we have no control over including genetics, age, and disease (some of which can affect hearing permanently). Hearing loss also declines due to many things that we DO have control over. These include loud noise exposures, use of personal protective equipment when in the presence of loud noises, and choices of what volumes we choose to hear our music.

One way to evaluate your own hearing is to visit an occupational health company and pay (usually $25 to $40) for an audiogram. You’ll sit in a soundproof booth with headphones on while a series of tones are played at equal volumes. When you hear a tone, you’ll press the button in the booth. When done, you’ll be presented with a graph showing what frequencies you can hear (and which you can’t).

Such audiograms are required on an annual basis by Federal Law for employees who work in noisy environments. And in fact, the managers of such environments are required to provide their employees with free hearing protection equipment of sufficient noise-reduction-rating that the employees’ eight-hour, time-weighted-average exposure is below specific limits. Should the protective equipment be insufficient, then the employers must use engineering controls to reduce the noise level.

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In some cases, though, where noise levels exceed 110dBA, protective equipment for the ears such as earplugs and/or earmuffs becomes ineffective since there is just as much noise received through bone-conduction as there is through the actual eardrums. Consider that when listening to boom-box cars whose sound pressure levels can approach 115dB or higher!

So back to your audio system – Does anyone need a system that will reproduce 20kHz? I’d argue that no – there is no real “need” to have extended treble response – unless you can hear it! For young audio enthusiasts whose ears are still pristine, having a system that can reproduce 20kHz may be worth the money. But before paying a lot of additional money for such a system, it would be worth the small additional investment to evaluate with an audiogram whether you can actually hear 20,000Hz, or whether you just THINK you can.

With many current digital systems and current loudspeakers, true 20kHz reproduction is available inexpensively. And if the gear you like has 20kHz reproduction, it certainly won’t hurt anything, even if you can’t hear it. But it probably shouldn’t be anything to worry about or anything that you’d want to pay significantly extra for.

Glenn Young

I learned to play the guitar in high school, hoping to persuade Berma Sanchez to date me, but alas, no such luck! In the late 1970s, a neighbor who was the station engineer for the local PBS network took me under his wing and taught me the electronics of audio reproduction. Throughout college, I used that knowledge to modify Dynaco vacuum tube equipment for friends. After graduation from LSU, I took a job in the chemical manufacturing industry, learning about industrial hygiene and the mechanics of hearing. In the 1990s I learned to write, initially as the newsletter editor for my local Safety Engineering chapter. In the early 2000s, I had my first book published (I’m now working on my third). A few years ago, the Secrets of Home Theater and High Fidelity website issued a call for authors. I responded and was excited to be selected. Over the years, I’ve published a number of equipment reviews and am honored, in 2019, to be given the title of “Senior Editor.” But none of the above offers the “why” of my interest in home audio. My musical tastes are highly diverse, and my love of music (acquired probably in the church choir of Grace Baptist Church) has been passed on to my daughter, who got her B.S. degree in music and her M.S. in violin performance and music education before being switching gears and then going on to graduate from Harvard Law. Although the majority of my extended group of friends and family prefer hobbies such as hunting, fishing, football games, etc., I’ve found that I still greatly enjoy time with my audio system and discovering new music. At some time in the fairly near future, my hearing will decline and I’ll no longer be able to listen analytically. But so long as my audiograms show acute hearing, I’ll keep doing what I enjoy best - listening to wonderful music and sharing my thoughts and impressions with like-minded friends.

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