Speaker Enclosure Size – Effect on Audio Quality

Question
Does a speaker’s enclosure size have any effect on audio quality? I’ve always assumed a larger enclosure size is better, but I never understood why that is the case.

– Tyrone B.
Winsford, Cheshire UK

Answer:
The short answer to your question is “Yes”, speaker enclosure size does affect the audio quality. That size, however, depends on a multitude of factors including the type of enclosure, properties of the driver, the enclosure material, the shape of the enclosure, quality of craftsmanship, etc. Speaker manufacturers spend endless hours calculating and measuring the effect of these changes to produce the flattest possible response over the widest frequency range. While a full primer on speaker enclosure design is well beyond the scope of this QA, there are many DIY websites that provide quite good information.

Given the enormous variety of speaker enclosure shapes and designs, there is clearly no one correct answer as to what produces the best sound. For example, the Bowers and Wilkins “Nautilus”.

One of the World’s most iconic speakers, looks very little like a speaker. The Nautilus’s enclosure is made of multiple, tapering tubes, the result is quite striking and does indeed resemble its’ nautical namesake. In utilizing this unique enclosure B&W has solved one of the many problems that speaker enclosures themselves can create, the problem of standing waves that result from parallel surfaces.

In the broadest sense, all else being equal, certain, larger dimension enclosures with certain HxWxD ratios can enhance specific low frequency characteristics. The primary mechanism for this is when a driver moves forward to produce a sound wave towards the listener, it must also return to neutral, thus producing a sound wave 1800 out of phase. If this wave were allowed to propagate around the room back to the listener it would result in distortion and phase cancellation. This is mostly a problem for lower frequencies, and may manifest as “gaps” or “smearing” of the bass. In order to prevent this, the out of phase wave is contained within the enclosure.

But all is not equal.

If bigger = better, how can Raidho ask $17k for their C 1.1 speakers and Magico charge $26.5k for the Q1, when neither is even 15” tall?

The answer is, of course, they couldn’t. Instead of concentrating on how the size of an enclosure affects the lower frequency spectrum, these companies have focused on creating a cabinet that does not add or subtract anything from the sound wave being produced. Not as easy as it sounds.

I will pose your question in a slightly different way: If an enclosure is required for high quality sound reproduction, then shouldn’t speakers with no enclosure sound sub-par?

If the answer was “They do,” companies such as Quad, Martin Logan and Magnepan would have been out of business a long time ago. By eliminating the enclosure entirely (they do have a frame, but nothing that “encloses” the drivers), they avoid the problems caused by the enclosure itself (and thus eliminate the R&D costs associated with trying to perfect the enclosure, see Raidho and Magico above).

These manufacturers produce what are collectively called “electrostatic” speakers. The basic principle is this: a VERY thin (12 microns) charged diaphragm is stretched between two large, perforated metal sheets called stators. The stators then have voltage applied across them from the amplifier, thus moving the diaphragm. This movement creates the sound wave. Because most electrostatic speakers are quite wide, the speaker itself acts as a physical barrier for the out of phase low frequency sound waves. While electrostatic speakers have their own set of problems, an enclosure is not one of them.

So now we have come full circle: while a speaker’s enclosure does have a profound effect the sound, a bigger enclosure is not necessarily better; some speakers don’t even have one. Bigger ? Better. Better = Better.

Robert Ebeling III, M.D.

Robert's passion for audio was awakened at an early age by his father's purchase of a pair of original VonSchweikert Audio VR-4 floor standing speakers. Much like wine lovers (himself included) remember that first "Ah ha!" moment when they try their first "great" wine tastes a wine icon, this was his "Ah ha!" moment in audio. From this point on he was on a quest for what he considers "Audio Truth", a belief that the ultimate reproduction of sound is to produce the identical auditory experience as if it were live, without coloration, enhancement, refinement, or other influence imparted by audio equipment. As he has not found this "Audio Truth" yet, he has decided to share this quest with others by writing about it. Robert's reference setup includes a custom built "floating" room using the Cardas "Golden Ratio" for dimensions specifically designed for audio evaluation. His gear includes an Oppo BDP-105 Blu-Ray player, Jolida Glass FX tube DAC, Marantz AV 8801 pre/pro, Marantz MM 8077 multi-channel amplifier, Sony 1080p VPLVW60 Projector, and Stewart Filmscreen 130 Reference Screen. For home theater speakers, he has Definitive Technologies CLR2500BK 150 watt speaker for the center channel, Definitive Technologies BPXBK speakers for side and rear surrounds, and Definitive Technologies 1,500 watt SCIBK Super Cube Subwoofer all connected via 14AWG x 4 speaker cable. The front two channels are heavily modified Von Schweikert VR-7SE MKIIIs, with 4" thick cabinets, custom milled speaker isolation spikes powered by a Channel Island Audio D-500 MKII monoblocks on dedicated 20 amp lines direct to the breaker box. The VR-7's are connected to the Marantz pre/pro (in Home Theater bypass mode) via Mogami quad star balanced ICs, and to the CIA monoblocks via "shotgun" Master Built cables. Robert attended Baylor University where he met his wife (who beat him at fencing). He attended medical school at UTMB in Galveston, TX, served his Internship in Internal Medicine at Baylor College of Medicine, and completed his residency in Radiation Oncology at Tufts Medical Center. He is currently a practicing Radiation Oncologist in the Greater Atlanta area and enjoys fly-fishing, cooking, playing with his new daughter, and of course pursuing "Audio Truth". (and somewhere in there he went to culinary school)

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