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Passion Des Cuivres: Victorian
Christmas for Brass • Constanze Backes, soprano (Orfeo C 689 061 A)
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What better way to start this year's survey
of new holiday-themed CD/DVD releases than with this nostalgic performance
by Passion Des Cuivres, the brass ensemble that won the 2005 Nikolaus
Harnoncourt Prize just two years after it was founded? Composed of
musicians from Dresden, London and Berlin, the group plays historic
instruments from the Victorian era, including cornet (instead of trumpet),
ophicleide (instead of tuba), simple F horn, and narrow-bore trombone.
Repertoire mixes the familiar (Handel, Christmas carols, O Holy Night,
etc.) with less familiar fare by Sir Arthur Sullivan, Henry Purcell, and a
bloke named Holst. Soprano Costanze Backes sings two selections with
winning innocence, despite an accent that smacks of Bayreuth rather than
Bristol.
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J.S. Bach: Cantatas Vol. 16: New York • For
the Sunday After Christmas • The Monteverdi Choir, The English Baroque
Soloists, John Eliot Gardiner (Soli Deo Gloria SDG 137)
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A follow up to two previous CDs devoted to
Bach's cantatas for Christmas (Vol. 14 and 15), this live CD celebrates the
final concert of John Eliot Gardiner's year long Bach Pilgrimage. The
pilgrimage began on Christmas Day in Wiemar in 1999, traveled throughout
Europe, and ended in New York in 2000. Performing each Sunday, Gardiner
managed to perform all Bach's surviving church cantatas on the appointed
feast day within a single year. With new cantatas learned, rehearsed and
performed every week, this unprecedented pilgrimage produced a remarkably
high level of singing and playing. Listening to the heavenly simplicity of
the voices and musicians on this CD, it's hard to imagine that anything less
than divine intervention made these glorious performances possible. Highest
recommendation. |
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William Ferris: Snowcarols • William
Ferris Chorale, Paul French conductor (Cedille CDR 90000 101)
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William Ferris (1937-2000) was a lifetime
Chicagoan who, as chair of the theory department at the American
Conservatory of Music, created a number of major works for his own chorale.
The almost 37-minute Snowcarols, joins nine other shorter settings on
this CD. To text by John Vorrasi, Ferris dedicates the first movement to
then-President Jimmy Carter, and another to Eric Fenby, his personal friend
and amanuensis of composer Frederick Delius. Ferris' language has been
described as “polymodal chromaticism,” which translates into easily
accessible and modern sounding. The chorale sometimes sounds overly studied
in enunciation, and the performances can sound plodding. But the definitive
nature of these performances makes them self-recommending for those wishing
to explore new contemporary holiday music.
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Lara Brothers: Parang Caribbean
Christmas (Winter & Winter 910 139-2)
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What have we here? The CD starts off with the
sounds of a traditional steel band, and all of a sudden, we've gotthea roar
of traffic, folks laughing and shouting, and a very realistic dog barking
left and right. We've just heard “Sounds of Trinidad,” the first track of a
short CD that includes authentic Parang folk songs sung by the one-of-a-kind
Lara Brothers. The brothers, Tito and Willie, have spent over 60 years going
house-to-house in their rural Trinidad community singing traditional songs
and telling Christmas stories in adulterated Spanish. Sometimes friends and
neighbors join in, playing, singing, and eating their fill. Lord knows how
old these boys are. With one page of the CD brochure devoted to beer bottle
caps, it's clear that Christmas cheer flows in many forms. At a time when
synthesizers and drum machines have altered the development of Parang, this
CD thankfully preserves the original tradition. Spirits cost extra.
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Best Carols 100 (EMI
50999-5-10371-23)
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This 6-CD set cannot be beat. In addition to
entire discs devoted to the Choir of King's College, Cambridge; Clare
College Singers, Cambridge; Taverner Consort, Choir and Players; Choir of
King's College, Cambridge; and a mix of the Huddersfield Choral Society,
Bach Choir, and Halle Choir, there's a special disc devoted to such “Star
Performers” as Elisabeth Schwarzkopf, Roberta Alagna, Kiri te Kanawa, Thomas
Hampson, Hermann Prey, Barbara Hendricks, and The King's Singers. Name a
favorite Christmas carol, and it's probably here, better sung than on 20
other compilations. Some selections could definitely use digital remastering
from the analog originals, but as background music or for sing-alongs, they
will warm your heart as much as the sweetest apple cider.
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The Taverner Consort: Christmas
Carols (Virgin Classics 5099950 368020)
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Four CDs this time: Festive Music from
Europe and America, Nine Centuries of Seasonal Music, and
Seven Centuries of Christmas Music. Recorded digitally between 1987 and
1995, soloists include Emily van Evera, Tessa Bonner of Tallis Scholars
fame, Catherine King, and Charles Daniels. The elegance, grace, and
simplicity of these arrangements, superbly performed by early music
specialists, push this wonderful set to the top of anyone's list… or at
least the list of anyone who doesn't think that rap is the first and last
word on all things spiritual.
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Puer Nobis Nascitur: Christmas Carols
• Ton Koopman (Challenge Classics CC72234)
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Playing the historic Van Peteghem rococo organ
of St. Martinuskerk, Haringe, Belgium, completed in 1778 and miraculously
well-preserved without modernization, keyboardist and conductor Ton Koopman
presents a varied program of music by Daquin, Bull, Sweelinck, Zipoli,
Dandrieu, Bruna, Buxtehude, Lebegue, and J.S. Bach. Even in cases where the
music is familiar, this amazing organ, complete with clicks, echo effects,
and tones rarely if ever heard from modern instruments, makes the program
unique. I literally found myself jumping from track to track, eager to hear
what combination of bizarre and familiar sounds this instrument would
produce next.
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Hearken to the Angel's Song (Hort der
Engel helle Lieder) (Hänssler Classic CD 98.431)
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Performing some lesser-known choral and organ
music for Advent and Christmas written in the 16th through 19th
centuries, St.-Andreas-Kantorei Hildesheim, Kammerchor Hildesheim, Bach-Orchester
St. Andreas, and organist Roland Maria Stangier, all under the direction of
Bernhard Romer, sing and play beautifully. You'll know some of the composers
– Brahms, Praetorius, Schutz, and Mendelssohn –and be happy to make the
acquaintance of others. The organ is appropriately thunderous, the choir
meticulous in its enunciation and observation of dynamics. For a different
take on Christmas than that afforded by English forces, this recording is
warmly recommended.
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Bruno Herbert Trio / B3 Kings: A Cellar
Live Christmas (Cellar Live 87905)
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Where do some of these CDs come from? I know
this one originated from The Cellar in Vancouver, BC, but where the jazz
musicians who compose this piano/bass/drums trio and B3 combo of alto
sax/guitar/B3 organ/drums/vocals came up with this curious mixture of
swinging jazz and Christmas riffs is beyond me. Some will groove on this
music, others find it a curious mixture of outer space meets inner funkdom.
Rum-pa-pum-pum and all that jazz.
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Bob McGrath: Christmas Sing Along (Bob's
Kids Music 4101803)
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Oh my gosh, it's Bob from Sesame Street! In
the sweetest little good boy voice, he invites us to join him, a host of
musicians, and the Young People's Chorus of New York City in singing 15
favorite Christmas melodies. Bob is good enough to supply lyrics, and Mike
Renzi, musical director of Sesame Street, contributes the carefree
arrangements. This CD has the name of my five-month old nephew, Trevor
Michael, written all over it. I'll bet you know someone else, perhaps
someone old enough to watch Sesame Street, who would love it as well.
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Sergei Prokofiev: Peter and the Wolf
(narrated by Sting) (DG DVD B0008194-09)
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As a holiday alternative to Tchaikovsky's
perennial Nutcracker, this sparkling DVD is filled with cheer. To a
combination of fanciful footage, puppets, members of the Theatre de
Complicite (sometimes wearing masks), dancers, ice skaters, circus
performers, and animation, Claudio Abbado and the Chamber Orchestra of
Europe present one of the most charming Peter and the Wolfs you are
ever likely to see and hear. To make the celebration more ecumenical, the
DVD also includes an animated/theatrical version of Prokofiev's Overture
on Hebrew Themes and an equally theatrical take on the Classical
Symphony. Initially released in 1993, this Prokofiev Fantasy will
leave you smiling.
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Christmas in Rome: Gabrieli Consort &
Players, Paul McCreesh • The English Concert & Choir, Trevor Pinnock (DG DVD
00440 073 4361)
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Combining two programs taped in 1993, this DVD
melds lovely singing with visuals of performers and the Church of Santa
Maria Maggiore, Rome. Even if you don't want close-ups of singers and the
church tower as you listen to Victoria, Palestrina, Josquin and others, the
subtitles are certainly helpful. The English Concert, complete with such
famed soloists as Nancy Argenta, contributes Alessandro Scarlatti's Pastoral
Cantata for the Birth of our Lord, Corelli's Concerto grosso in G minor, Op.
6 No. 8 “Christmas Concerto,” and Vivaldi's Gloria. Frankly, I'd rather
listen to a CD version of this music, which would have better sound, but for
those who prefer visuals, this one's a winner.
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The Birth of Christ: A Christmas Cantata by
Andrew T. Miller (Sony Classical DVD 88697-16686-9 – also available on CD)
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This new DVD begins with Liam Neeson giving a
sincere plug for peace and international union, reminding us that peace and
beauty are still attainable. “Grace is rarely found in a mob,” he states.
“Come celebrate and wonder at history's first great mystery.” I question
whether the best way to promote unity among faiths and ethnicities is to
chauvinistically discount all the great spiritual mysteries that preceded
Christ's coming, including the great pyramids of Egypt. Be that as it may,
this new oratorio unites some of the very same choirs Handel used to unveil
his Messiah in 1742, if not for the same exalted ends. Neeson reads quotes
from scripture between sections. The music is simple, sentimental, and
occasionally overdone in a popular kind of way. Don't expect any of Handel's
contrapuntal and melodic brilliance. |
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- Jason Victor Serinus
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