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Specifications
● Design: Two-way Ported
● Drivers: One 1" Titanium
Dome Tweeter, Two 6.5"
Mid/Bass
● MFR: 45 Hz - 20 kHz
±
2.8
dB
● Nominal Impedance: 8 Ohms
● Sensitivity: 89 dB
● Suggested Amplifier Power:
50 - 200 Watts
● Bi-wireable Binding Posts
● Dimensions: 41.8" H x 10.8"
W x 12.2" D
● Weight: 98 Pounds/Each
● MSRP: $4,995/Pair USA
Facet Audio Labs
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Introduction
Facet Audio Labs is a new company in the speaker industry, but designer and
co-owner Michael Henry has been building and designing speakers for thirty
five years now
The company is located in Broken Arrow, Oklahoma, and one can
start to experience their products as Michael and company begin to make
appearances at audiophile shows nationwide.
I asked Michael what his ideas
about the industry were, and he happily told me that loudspeaker design is
both science and art form. Facet Labs' first contribution to the loudspeaker
market is the Banshee two-way design loudspeaker, reviewed here.
Having now experienced
this product first hand, I would like to say that Facet Audio Labs is going
to make a nice big splash into the industry. At $4,995/pair, they are not
inexpensive, but take a look at the photo. Gorgeous they are, and as you
will see below, what a sound!
On the Outside
After getting the Banshees unpacked and set up, I got my first glimpse of
their build quality and appearance. They are basically a rectangular shape
that is tapered near the top which gives them a sleeker look, visible in the
picture.
The speakers rest on a black finished base that has inserts for
floor spikes. The cabinet stands close to four feet tall, and has very clean
edges and lines. Getting right up close reveals the precision in the
cabinetry and I could see that the finish was seamless, with the edges being
even and laser sharp.
There are three finishes on the
Banshees to choose from. The veneer is
affixed to the speaker using high quality construction methods, and it makes
the speakers look as if they are chiseled from solid wood. The model
supplied for review featured natural Bubinga wood, and this finish
was a spectacle in itself. It has a warm buttery glow with mixed shades of
gold and cream that are banded horizontally along the speaker. As you move
around the speaker its look changes as you see light hitting the wood from
different angles. This is a very exquisite effect as it highlights the
various shades of the finish.
Bubinga should complement many
different decors, and it stands out as having an almost exotic
look that I think would work very well in high fashion decors. The
Banshees are also available in an antique cherry which has natural and deep
warmth to it, and an ebony finish that appears as a pure satin black from a
distance, but from closeup, looks like a subtly shaded black mixed with the
brown and grey of the wood grains. I was fortunate enough to see all of the
finishes in person and I can say that all are very attractive. Facet Audio
Labs also includes a black cloth speaker grille that snaps into place on the
front of the speaker.
Design
and Features
The Banshee loudspeaker features a two-way design arranged in a
tweeter-woofer-woofer configuration. The mid/bass drivers are 6-1/2" woofers
that utilize alloy metal cast frames, kapton formers, and rubber surrounds.
The cone material in these drivers uses a special layered technique that
sandwiches a layer of foam, characterized with a high stiffness-to-mass
ratio, between two layers of finely woven glass tissues. The proprietary
name for this cone technology from Focal-JL labs is "VV" which is derived from
the words Verre-Verre, French for glass-glass.
The end goal here is to try
to get a low mass, highly rigid driver that also has good dampening
properties that comes from the sandwiched layer of foam. The tweeter is an
inverted titanium dome model with a coated foam surround. Inverted dome
structures are said to pass some of the mechanical energies created between
the dome and the voice coil back into the dome structure which would then
get converted into sound rather than dissipate as heat in the suspension
unit. Both the tweeter and mid/bass drivers are magnetically shielded, so it
wouldn't be a problem placing them next to a CRT display. However, as you will
see later in this review, these speakers perform better placed wide apart,
rather than next to your TV.
This tweeter-woofer-woofer configuration is different than the MTM layout
one often sees in driver layouts these days. Designer Michael Henry
described choosing this layout for two reasons. For one, he described that
placing the woofers closer together helps to reduce the interaction between
ceiling and floor reflections which would affect the sonic presentation.
Secondly, the tweeter in this layout is placed so that it will be
approximately ear level when a listener is sitting on a typical couch.
The cabinet is constructed from 1" thick MDF and is internally braced.
Because of this, the cabinet is ninety eight pounds heavy and is built like
a tank. Knocking on the side of the cabinet produces a solid thud, rather
than
hollow boom, which means that the cabinet is not producing large audible
internal resonances. This can be in part attributed to both the heavy duty
cabinet construction and the layered damping material that lines the cabinet
walls.
On top of the MDF lies the wood laminate layer which is
attached
flawlessly. The end result of the construction on this cabinet makes the
Banshees once again look and feel like they ar e sculpted from solid wood.
There are other notable features that we would expect to see in a speaker in
this price range such as high quality binding posts which allow bi-wiring,
silver plated internal wiring, and every connection being hand soldered and
tested.
One final design implementation on the speaker that is special is the rather
large port near the bottom of the speaker. The port itself measures 4" in
diameter and is 6 ¾" long, and there is a foam gasket sitting behind the
port. Using a larger port diameter like this reduces the air velocity coming
out of the port when compared with a narrower port. Facet Audio Labs says
this does a couple things for their design. For starters, this is said to
provide a more linear response from the port as power levels increase. Next,
it reduces any port chuffing sounds and loud organ type resonances at lower
frequencies. When all is said and done, the design goal here is to get
better bass response at higher power levels even when using 6 1/2" drivers
and all of that while maintaining the blend of the bass tone with the tones
from the rest of the frequency bands.
Click Here to Go to Part II.
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