Ever since Louis Daguerre took the first photograph and Thomas Edison lowered the needle on the first phonograph, media has been a part of our lives. The reproduction of still and moving images and sound is an art form that we are unlikely to see the zenith of in our lifetimes. Since the early part of the twentieth century, sound and video reproduction usually came in the form of magnetic tape, film or vinyl records. Now with the proliferation of digital storage methods, evolution has accelerated. The Apple TV second generation media streamer tosses the hard drive storage from first generation model. What does it add? Read our review to see for yourself . . . .
By now you've heard lots about 3D TVs. Every manufacturer has at least one 3D-capable model and even the projector companies are offering new products that include this technology. The display is not the only component required to view 3D however. You will also need, at a minimum, a new Blu-ray player. The format itself has not changed but a 3D model is required to view Blu-ray 3D discs. No matter what the brand, every 3D flat panel has a companion player. In the case of the Toshiba WX800 Cinema Series LED panel, recently reviewed at Secrets, that player is the BDX3000.
As a Quebec, Canada based company that has spent the last 30 years manufacturing some pretty outstanding gear, Simaudio has (like some other Canadian companies) made its name via its products' performance levels rather than hype and huge marketing spending. The unit reviewed here, the Simaudio Moon 700i Integrated Amplifier maintains that standing.
Sword of War (DVD), The Last Unicorn (Blu-ray), Bambi (Blu-ray), Memento (Blu-ray), Dances with Wolves (Blu-ray), For Colored Girls (Blu-ray), Thelma & Louise (Blu-ray), Raging Bull (Blu-ray), Skyline (Blu-ray), Les Miserables: The 25th Anniversary Concert (Blu-ray), The Miracle Maker (Blu-ray), Rainman (Blu-ray), The Switch (Blu-ray), Last Tango In Paris (Blu-ray), Moonstruck (Blu-ray)
Paradigm is increasingly becoming a unique entity in the world of audio equipment manufacturers. The industry continues to conglomerate itself into ever larger multinational corporations in the hopes of leveraging economies of scale, and optimizing cost of goods by outsourcing components and sub-assemblies. Paradigm, by contrast, remains thoroughly vertically integrated. With rare exceptions, the entirety of any given product, from the voice coil to the enclosure, is manufactured on-site at Paradigm's headquarters in Ontario, Canada.
Earthquake Sound is a company best known for producing knock your socks off subwoofers and amplifiers for home theater. They also manufacture several lines of speakers, including the Titans. The Titan Tigris weighs 89 pounds each and stands nearly 5 feet high, with an MSRP of $9,500 per pair. They are certainly imposing speakers that look the part, and are priced to compete with the crème-de-la-crème of tower speakers. In this review we'll see how they perform.
In 2009 I got to review the Marantz AV8003 processor and amp, and they helped to convince me of the benefits of separates over a receiver, and with how important it is overall to the performance of your whole system. In this review, we take a look at the AV7005 7.1 A/V Surround Sound Processor (SSP), which has an excellent feature set, including fully balanced analog audio XLR outputs for all channels.
Sabian's HH line represents the dark side of the force, and the HHX are classified as "Modern Dark", with the Evolutions being a specific set of crashs, splashes, high hats, and rides that have special dynamics that make them easy to play. They only come in several diameters, not specified weights, and a Sabian distributor told me that they vary in weight depending on the particular style (Evolution, Legacy, X-Plosion, Studio, etc.) The 18" HHX Evolution Crash is reviewed here.
Bi-coastal jazz saxophonist Jason Robinson, 35, an Assistant Professor of Music at Amherst College and former musician with the San Francisco Mime Troupe, seems to be blowing non-stop these days. No less that three albums that showcase the seemingly limitless range of his versatile musicianship hit the literal and virtual shelves in the fall of 2010. Each album shows Robinson on the cusp between tradition and experimentalism, with a strong emphasis on the latter.