Introduction to Speaker Reviews

Speakers, or Loudspeakers, are a most influential component of an audio system. Regardless of advances in digital signal processing and amplification, speakers will always be an inherently analogue, mechanical component. They have the potential to last not years but decades and as such a purchase decision carries more weight than that of other AV components. There is a tremendous array of speaker designs, including acoustic suspension, ported, band pass, transmission line to name but the most common. There is also diverse transducer technology. The vast majority of speakers will include a high frequency driver, called a tweeter, coupled with one or more low frequency drivers, called woofers. On more advanced models a mid-range driver may also be used. The signal sent to the speakers is divided by the crossover, a collection of electrical components which separates the high, middle, and low frequencies and sends them to the respective transducer.

Active (aka self-powered) speakers are speakers with their own integrated amplification. Active speakers have tremendous potential, when designed and executed properly, to achieve pinnacle performance for a variety of reasons. Superior results can be obtained with relatively lower amplification as compared to passive speakers because the power can be used more efficiently. The crossover will almost always come before amplification, feeding multiple amplifier channels, one for each driver within a single speaker (ie the tweeter and woofer each get their own amplifier). Further, because the speaker driver and amp characteristics are known, each can be optimized for the other (contrast this with conventional speakers where each must be designed to work well, but perhaps not ideally, with a myriad possible variations).

Most audiophiles wrongly assume that the amplification inside an active speaker couldn’t possibly be as good as giant, expensive, external boxes so active speakers don’t enjoy as much popularity in the consumer space as they should (subwoofers being the exception), but are by a wide margin the standard in professional mixing and monitoring setups.

Most active speakers will feature one or more line level inputs and at least an amplifier gain control. Better models will include contour controls and other sound tailoring features

Speakers may be designed for general use, or for more specific implementation such as a particular channel in a multi-channel audio system, or a specific frequency range such as a dedicated bass module, known as a sub-woofer.

Our focus when evaluating speakers is on accuracy, both in terms of frequency response and transient response. We use objective measurements when possible, including quasi-anechoic measurements and impedance sweeps, coupling that with subjective “real world” auditioning.

Review Categories

Speaker Reviews

MartinLogan Ethos Hybrid Electrostatic Speakers

MartinLogan has recently expanded its line to include the Ethos, which is a hybrid electrostatic speaker, meaning that it has not only an electrostatic panel, but a cone woofer. Using woofers to handle the bass is necessary in smaller electrostatic speakers because the surface area of the panel is not large enough to move much air at the lowest frequencies. In the case of the Ethos, the woofer has a built-in amplifier to drive it.

Velodyne DD-18+ Subwoofer

Just when you think a product can't get any better, it gets better. Velodyne, renown manufacturer of subwoofers from the very small to the very large, has released its latest very large sub, the DD-18+. It has a 1,250 watt RMS power amplifier (3,000 watts peak) and a frequency response of 14.4 Hz -120 Hz ± 3 dB. The magnet, at 40 pounds, weighs as much as some small subwoofers themselves. The subwoofer uses a Windows software interface, via USB, for setting the room EQ, and the bench test results are the best I have ever seen from Velodyne.

Phase Technology CineMicro One 5.1 Speaker System

I have no problem admitting that I like a certain type of manufacturer. I've always had admiration for companies that specialize in one area. I'm not saying that manufacturers who throw their hats into multiple rings don't make solid products, many of them do. If I'm being honest though, if my favorite brewery started manufacturing headphones I'd probably take a step back to evaluate the situation. There's no question that Phase Technology is a speaker company, one with deep roots at that; dating back to 1955. It's safe to say that they know a thing or two about high-fidelity. While not necessarily a household name, odds are you've probably come across their speakers in demo rooms, trade shows or publications. The CineMicro One is the company's attempt to pack their audio expertise into a compact, easy to use 5.1 home theater system. Knowing the company well and being a "big speaker guy" myself, I was interested in hearing how these little guys stacked up.

Crystal Acoustics TX-3D12 5.1 Home Theater Speaker System

It was five years ago that I first heard Crystal Acoustics speakers. Crystal is a British-based OEM speaker manufacturer that started making THX certified speakers under its own name. Because Crystal sells direct through the Internet without the costs of a distribution network, it offers very low prices for its products. I was quite impressed by the price/value proposition of its TX-3D12 THX Select certified 5.1 speaker system.

Paradigm Mini-Monitor 5.1 Speaker System

Paradigm is increasingly becoming a unique entity in the world of audio equipment manufacturers. The industry continues to conglomerate itself into ever larger multinational corporations in the hopes of leveraging economies of scale, and optimizing cost of goods by outsourcing components and sub-assemblies. Paradigm, by contrast, remains thoroughly vertically integrated. With rare exceptions, the entirety of any given product, from the voice coil to the enclosure, is manufactured on-site at Paradigm's headquarters in Ontario, Canada.

Earthquake Titan Tigris Floor-standing Speakers

Earthquake Sound is a company best known for producing knock your socks off subwoofers and amplifiers for home theater. They also manufacture several lines of speakers, including the Titans. The Titan Tigris weighs 89 pounds each and stands nearly 5 feet high, with an MSRP of $9,500 per pair. They are certainly imposing speakers that look the part, and are priced to compete with the crème-de-la-crème of tower speakers. In this review we'll see how they perform.

Zikmu Wireless Speakers

Parrot touts the Philippe Starck–designed wireless Zikmu speakers as "Next Generation Wireless Speakers". This all-inclusive powered speaker system features modern styling, efficient Class D amplification and flexible wireless connectivity. They look to be a progressive realization of current technology and style. Let us find out how they work and sound.

Paradigm Reference Seismic 110 Subwoofer

I described the last Paradigm Reference sub I reviewed, the Reference Signature Sub 25, as the "Mother of All Subwoofers". Then Paradigm came out with the even more massive SUB 1 and SUB 2 models. So when I agreed to review the Seismic 110, a small barrel-shaped sub that measures barely 13" in any direction, my expectations were set accordingly.

Paradigm Reference Signature SUB 2 Subwoofer

Paradigm, renown manufacturer of most catagories of A/V products, has released their latest subwoofer line, called the SUB 1 and SUB 2. These two subwoofers are part of their Reference Signature line of speakers and subs. Both are hexagonal in shape, with six drivers (8" in the SUB 1 and 10" in the SUB 2), having two drivers arranged vertically on three of the six sides, alternating sides with drivers and sides without drivers. They are sealed enclosures, and both have amplifiers with power heretofore not seen in any subwoofers. The amplifier can be powered by 120 V AC or 240 V AC. At 120 V, the amplifier outputs 3,000 watts RMS, and at 240 V, it will output a whopping 4,500 watts RMS and 9,000 watts peak. The SUB 2, which is reviewed here, weighs 230 pounds. Its performance is truly magnificent, with a price tag worthy of its design: $8,999 for Cherry or Black Ash finishes, and $9,499 for the Piano Black Premium finish.

Paradigm SA-15R-SM In-Ceiling Speakers

Paradigm has been in the speaker business for many years - 28 to be exact - and they have consistently produced some of the finest floor standing speakers and subwoofers on the market. What many may not be aware of is there full line of in-wall and in-ceiling speakers. I had the chance to check out their extensive line up at this years' CES. It was also my first time meeting some of the nice folks at Paradigm. They recommended I try a set if in-ceilings in my family room to finish out the surround sound system. So here they are, the Paradigm SA-15R-SM's.

Episode In-Wall and In-Ceiling Speakers

A couple of years ago I designed a home theater for a client and specified the Episode Home Theater LCR because among other things, it offered an adjustable planar magnetic tweeter. It is a hulking speaker that was designed to be integrated into cabinetry and I can tell you it sounded terrific. I became an instant fan. The HT-650LCR is still considered the flagship home theater speaker. In this review, we cover their in-wall and in-ceiling speakers.

Axiom Epic 80-800 Speaker System: M80v3 Tower, VP180 Center, QS8v3 Surround, and EP800v3 Subwoofer

When shopping for loudspeakers today, we assign many different criteria to our decision. Do we choose on price, sound quality, aesthetics, science or some other aspect? Of course a discriminating listener wants the best of all these worlds and there are many manufacturers ready, willing and able to deliver on all counts. Axiom is one who has been at their game a long time. In this review, we test their M80v3 Tower, VP180 Center, QS8v3 Surround, and EP800v3 Subwoofer.

Dynaudio Focus 110A Actively-Powered Bookshelf Speakers

Few things other than human relationships are as important to a writer and music/audiophile critic as the sound of their system. As someone who spends the bulk of his time in front of the computer, the necessity for a great-sounding desktop sound system that can transform bits on a solid-state or hard drive into living, breathing music is essential. For many of us, an essential aspect of a computer-based desktop system is compactness. Some people may have room for a separate amplifier, preamplifier, DAC, and pair of bookshelf (or bigger) speakers in their office; I, for one, do not. Thus, when Michael Manousselis of Dynaudio USA offered me a pair of the Focus 110A "active-powered" (built-in amplifiers) speakers, I was more than happy to accept.