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Set-Up
There are so many features on modern receivers, set-up
can be daunting. You have to configure the inputs, channel allocation
(zones), speaker size, speaker distance, speaker delay, crossover frequency
. . . it just goes on and on.
Manufacturers have made this easier not only by making
the menus more understandable, but by automation.
Auto Setup is the generic name for what will become one
of the most important user conveniences ever to show up in receivers. It is
really just in the last year or so that this feature has arisen.
Yamaha's version of this is called the Yamaha Parametric
Room Acoustic Optimizer (YPAO). Using the included microphone that you place
in your sitting position, and activating the Auto Setup function in the
menu, the receiver will play a series of test tones and determine if your
speakers are all connected, if they are connected with the correct polarity
(+ to + and - to -), how big your speakers are (setting the proper crossover
if they are bookshelf speakers), determine the distance to each speaker so
it can set the speaker delay, and adjust the frequency response based on the
speaker's own response plus the effects of the room.
Whew! That is a lot of work taken off our hands, and
automatically performed by the receiver. YPAO is a great feature that
everyone will want to try out. We have reported on this in another recent
Yamaha receiver review, and it works very well. Of course, after performing
Auto Setup, you can go back and tweak any of the settings that you are not
happy with. But, I think most of us will just run the program, then sit back
and enjoy the movies and music. That is what it is designed for.
Trouble-free optimization of your home theater. In fact, I bet that many
consumers don't bother with setting speaker distances and delays in the
first place. Well, with Auto Setup, there is no excuse not to set it all up
properly.
The Listening
I tested the RX-V4600 with our Yamaha universal player,
using a variety of speakers. Cables were Nordost. I was not able to test the
HDMI or iLink inputs for DVD-A and SACD audio decoding.
Yamaha has always been notable for their incredible array
of processing features, and the 4600 is no exception. I have used their
receiver models for many years, and love the enhanced processing of DD movie
sound tracks using their sound fields, such as Movie Theater Adventure. The
Presence speakers are used for such processing, and it opens the soundstage
to a great degree. In terms of sound fields, Yamaha has some of the best out
there.
The sound quality was good, although you will see from
the bench tests, it only output about 40 watts RMS per channel when five of
the channels were being driven. Under most circumstances, this will not be
an issue, since consumers typically listen in the 10 watts per channel
range, and most of the time, the rear channels are not producing any sound
at all. For stereo (two-channel) listening, the 4600 produced 138 watts
per channel, and that is plenty. However, you should use this receiver only
with 8 ohm speakers (that is the case with most mass market receivers). The
4600 is rated into 6 ohm loads, and if you must use lower impedance
speakers, you should activate the 6 ohm setting from the front panel
(depress the Straight/Effect button, then press the On/Standby button, then
press the Straight/Effect button until you see the appropriate impedance
setting). You should also consider setting the speakers to Small, and using
a crossover of 80 Hz, which will let the subwoofer do the work for the low
frequencies, and allow the receiver's power amplifiers to concentrate on the
sound above 80 Hz. Since it takes a huge proportion of the energy to drive
the low frequencies, this will give you higher SPL capability for the range
that the receiver works with.
I played all my favorite CDs and a few of my favorite
movies, and felt that the 4600 did what it was designed to do, namely be a
piece of cake to set up and get down to listening. Within its power
limitations, the sound was clear and concise.
Switching between sources never caused a problem. The
4600 seemed to recognize what I was doing and made the internal changes so I
could get back to listening rather than look in the instruction manual for
why there was no sound.
What I liked most about the 4600 was its ease of use and
digital EQ of all speakers. This can be a real advantage for consumers with
poor room acoustics, and entry-level speakers. Keep the microphone in a safe
place after use, as it is small and fragile.
The HDMI switching and iLink connections for playing
DVD-A and SACD using digital out from universal players, are important
additions to receivers. Even though I was not able to test the iLink for
DVD-A and SACD, it is a good bet for the future to get a receiver that has
it. Now that HDMI and iLink are here, I would think twice about purchasing a
receiver without them. I have several HDMI sources now, and it made things
much easier to use the HDMI switching rather than manually change the HDMI
connection or just use component video for one of the sources (my display
has several types of inputs that can be selected).
Below are our Secrets Benchmark findings for the Yamaha RX-V4600. As you can
see, it passed most of the criteria. The total score and ratio, shown at the
bottom, will be more indicative once we have Benchmark scores for several
SSPs and receivers in various price categories.
Secrets Benchmark Results
|
Function |
Score |
Notes |
|
Time Alignment |
|
|
| Global A/V
Delay |
10 Points |
Delay up to
240ms. 60ms is minimum to get 10 points, with 100ms being preferred. |
| Speaker Delay |
10 Points |
1.0 to 80.0
Feet in 0.1 foot increments, or 0.3 to 24.0 meters in 0.1 meter
increments. (0.5 foot minimum to get 10 points). |
|
Volume |
|
|
| Muting |
5 Points |
Mute button on
remote control only. There must be mute buttons on remote and front
panel to get 10 points. |
| Power-On
Volume / Max Volume |
0 Points |
Not
adjustable. |
| Input Level
Trim |
10 Points |
Each input can
be trimmed in 0.1 dB increments. |
| Volume Scale |
10 Points |
Relative scale
rather than absolute. |
| Speaker
Calibration |
10 Points |
Adjusted in
0.1 dB increments only (0.5 dB increments is minimum for 10 points). |
| Headphone |
0 Points |
Cannot monitor a different source from the main zone. |
|
Dolby Digital |
|
|
| Basic Functions |
10 Points |
Meets basic
requirements for Dolby Digital. |
| DRC (Dynamic
Range Control) |
10 Points |
Limiter allows
setting limits on low frequency content. Compression feature lets you
compress dynamic range for night time listening. Compression is
accessible through two button presses, including press to turn it on.
Should be available in three button presses or less. Compression level
is selectable with the 4600. When DRC is on, it should be indicated on
the front panel, and it is with the RX-V4600. |
| Dialogue
Normalization |
0 Points |
Not specified. |
| Lock-on Time |
10 Points |
Fast. |
| 640kbps AC-3 |
Not Tested |
|
|
Dolby Digital EX |
|
|
| Basic Functions |
10 Points |
Meets basic
requirements for Dolby Digital EX. |
| Flag Respect |
10 Points |
Responds
correctly to flags. |
|
Pro Logic |
|
|
| Basic Functions |
10 Points |
Meets basic
requirements for Dolby Pro Logic. |
| SurrEnc Flag
respect |
Not Tested |
This Benchmark specification
indicates whether the processor will automatically read flags for
two-channel stereo tracks that indicate it has been encoded for Dolby
Pro Logic, and not automatically switch to Dolby Pro Logic when playing
two-channel stereo tracks that are not flagged as having been encoded as
Dolby Pro Logic. The RX-V4600 does not specify this in their instruction
manual. |
|
Pro Logic II |
|
|
| Basic Functions |
10 Points |
Meets basic
requirements for Dolby Pro Logic II. |
| Non-mandatory
Music mode features |
5 Points |
Does not
specifically includes
Panorama/Width/Dimension, but sound fields can be edited to produce
these effects. |
|
DTS |
|
|
| Basic Functions |
10 Points |
Meets basic
requirements for DTS. |
|
Bass Management |
|
|
| Crossover
frequency selection |
10 Points |
Yes, for all channels,
including subwoofer. Settings from 40 Hz to 220 Hz in 20 Hz increments.
Slope is 24 dB per octave for high-pass and low-pass, except for THX-80
Hz which is 24 dB per octave low-pass/12 dB per octave high-pass. |
| Crossover
Slope selection |
5 Points |
Slope not
specified, but 80 Hz setting is specified as THX, which is 24 dB per
octave low-pass/12 dB per octave high-pass. |
| LFE Trim |
10 Points |
Yes.
Adjustable from - 20 dB to 0.0 dB in 0.1 dB increments. |
|
DVD-Audio |
|
|
| Bass
Management for 5.1 Analog Input |
10 Points |
Yes. |
| HDMI DVD-A
Input |
10 Points |
Yes. |
| iLink DVD-A/SACD Input |
10 Points |
Yes. |
|
THX |
|
|
| Certification |
5 Points |
THX Select-Certified
(10 points if Select, Ultra, and Ultra2
Certified). |
| Re-Eq defeat
option |
0 Points |
Not defeatable in THX
modes. Must be defeatable in THX modes to get 10 points. |
|
Audio Customization |
|
|
| Parametric
Subwoofer Eq |
0 Points |
None. However,
all other speakers can be EQd. |
| Surround Mode
Pre-Set |
10 Points |
Yes. Allows
setting each input to default to desired mode. |
| Multiple
Surround Management |
0 Points |
No option to
reroute or copy surrounds/rears. |
| Academy Mono
Filter |
0 Points |
Not available.
This feature, when available, restores the
proper mono balance of older mono film sound tracks. |
| Downmix |
10 Points |
Yes. Converts
5.1 sources to two-channel stereo. |
|
Miscellaneous |
|
|
| Front Panel
Dim |
0 Points |
Not available. |
| Settings
Storage |
10 Points |
Settings are
retained. |
|
Preamplifier |
|
|
| Maximum RMS Output
Voltage at Pre-Out |
1.72 volts
5 Points |
1.0 volt RMS to 1.99 volts
RMS gets 5 points. 2.0 volts RMS and higher gets 10 points. The 4600
output voltage was with the volume control set to 0.0 dB. More voltage
could be achieved with further volume increase, but the 4600 shut down. |
|
Power Amplifiers |
|
|
| 2 Channel
Maximum RMS Power Output |
136 watts x 2
2 Points |
If it produces at least 25% above
rated output for all channels driven, when driven in two-channel mode,
it gets 10 points. Less than 25% gets proportional points. |
| 7 Channel
Maximum RMS Power Output |
38.3 watts x 5
0 Points |
Specified at
130 watts per channel into 8 Ohms, 20 Hz - 20 kHz, THD <0.04%. It does
not specify this with all channels driven. The RX-V4600 delivered 38.3
watts RMS per channel, at 1 kHz, with five channels driven, before going
into clipping (when THD reaches 1% or more). Minimum to get 10 points is
10% below rated RMS power specification, all channels driven for a 5
second period. |
|
Video |
|
|
|
Up-Conversion of Composite Video, S-Video, and Component Video to DVI/HDMI |
0 Points |
Up-converts
composite video and S-Video to component video, but not to DVI or HDMI. This feature, when available,
will allow all incoming video signals to be output on DVI/HDMi to an
HDTV. |
| DVI and/or HDMI Switching |
10 Points |
Has HDMI Switching. 5 points
if it has DVI switching. 10 points if it has HDMI switching. |
| Component Video Switching
Bandwidth |
0 Points |
60 MHz.
Must be at least 100 MHz to get 10 points. |
|
Total Score |
247 Points out of 390 |
Ratio = 0.633 |
Click HERE to go to Part
III.
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