- Published on 19 March 2014
The Onkyo LS-B50 Soundbar In Use
The supplied remote is of the ubiquitous miniature type. The buttons were mushy, lacking a positive feel, and we were forever losing it between the cushions. Facilities include power, mute, volume +/-, woofer level +/-, input selection, and play/pause/Fwd/Rwd (USB device control). In an unusual twist from the norm, the power button does NOT turn the unit on, only off. To turn it on you press one of the input buttons.
Of course in order for any such system to live up to its "simple to use" promise, it would have been better not to have to deal with a remote control at all.
The unit will respond to the remote codes of the top nine brands of TVs. At first this seems like genius: our incumbent remote did in fact change the volume on the Onkyo. Unfortunately it also continued to change the volume on the TV's built in speakers, resulting in both voicing sound. This not only disturbs the attempt at audio fidelity, but introduces a nasty echo into the room (as the onkyo's sound is substantially delayed by its DSP). This may not be the case for all TVs in that some will have an option to simply disable their built-in speakers altogether, but in my experience, that's the exception, not the rule, so the feature was useless in my situation.
That detail aside, the system's function is pretty straight-forward. It's worth noting that the Optical, Coax, and analog inputs are really one, the idea being that you will only use one of them to connect your TV (or primary cable box): With a digital source connected, the analog input is mute.
Pairing the Onkyo to our iPad Air via Bluetooth was simple and trouble free, though the audio quality was what one would expect from a unit with a 6.5" woofer. We did use the feature, but for quiet background music only.
These days, virtually everything outside of the most basic receiver and speaker arrangements employ DSP (Digital Signal Processing), in many cases by necessity. Without it, it would be next to impossible for speaker systems like sounds bars, and their accompanying woofer units, to achieve anything resembling a decent output, particularly given the austere amplifier power available. Instead of simply targeting a traditional, neutral and balanced stereo output, Onkyo employs what they call AuraSphere "Panoramic 3D Sound". You are forced to choose between three settings, colloquially labelled "Music", "News", and "Movie". .
Each mode is radically different from the others, thanks to both the nature of the EQ applied, but moreover in their use of the "side" drivers versus the front ones. None of the choices presented deliver what I would consider a high-fidelity output. It is of course impossible to know what Onkyo is doing under the hood but my ears break it down as follows:
Music – This mode seems to deliver a fairly in-your-face sound. The audio content from the sides is identical to the main channels with some sort of shaping applied. While tolerable for its namesake, any other material just sounded wrong on this setting.
News – Clearly some sort of steep band-pass filter is applied here, almost sounds like people are talking through a paper cup compared to the previous mode. The side drivers are not used at all. Indeed it omits the boomy sound which is a consequence of boosting the upper bass, though in my mind if the system has a balanced, neutral output to begin with you never have the issue to address in the first place. Movies – Of the three this is the one we ended up using the most, not because it was particularly pleasing, but because it was the best among the three choices. As with the music mode, the side drivers simply duplicated the fronts in terms of content, but in this mode, seemed shaped with a treble bias.
It should be noted that there is no evidence of pseudo-surround. I had thought the side firing drivers might deliver the surround channel of a 5.1 (or matrix encoded 2.0) source (if done out of phase it can produce a vague facsimile of surround sound if you are seated just so), but that is not the case. By all accounts everything is downmixed to 2 channel and the side drivers are simply eq'ed copies of their respective front channel.
Bass response in all modes was fairly boomy, with a noted punch in the upper bass and usable in-room response of no lower than 40 Hz or so. Hitting the ceiling of the systems output was not too hard to do, with the characteristic harshness which sets in.
On the whole perhaps most telling is that my wife never used the Onkyo when watching TV, it just wasn't enough of an improvement for her to bother turning it on and having to use two remotes. I'd also be remiss if I didn't mention our sample was very temperamental in terms of turning on: sometimes it would, but all too often it required unplugging and reconnecting the power cord to get it to work. Go to Page 4: Conclusions