- Written by Jay Haider
- Published on 15 June 2015
The X4100W is Denon’s most affordable AVR designed for Dolby Atmos immersive sound. In addition to Atmos, the X4100W’s enhancements over the X2100W include more powerful amplifiers and better Audyssey room correction.
- Written by Jim MIlton
- Published on 28 January 2015
Marantz has produced grin-inducing amps and receivers for many years. Their SR5009 will keep you smiling as it sends stunning sound to your speakers and gorgeous pictures to your TV. Featuring the latest high resolution audio decoders such as Dolby TrueHD and DTS-HD Master Audio, the Marantz SR5009 7.2 Network Home Theater A/V Receiver also includes Dolby Pro Logic IIz decoding so you can connect front height speakers for a dramatically expanded front soundstage.
- Written by Glenn Young
- Published on 29 September 2014
This is an amazing receiver, offering a full slate of features equivalent to those offered by any of their competitors. The 4K pass-through puts the Yamaha ahead of many on the market. The sound is dynamic and the video performance is superb.
- Written by Jim Clements
- Published on 14 January 2015
The Audioengine B1 is an easy to use add-on accessory that promises quality audio playback via Bluetooth technology for under $200. It uses the latest Bluetooth 4.0 technology with the aptX Codec. This extends the B1’s range and gives you the best possible audio reproduction.
- Written by Don Disbennett
- Published on 25 August 2014
The Onkyo TX-NR535 5.2 A/V Receiver is part of Onkyo’s new line of entry level receivers and features HDMI 2.0 to allow it to pass Ultra HD 4K/60 Hz video. It also features built-in Bluetooth and Wi-Fi for easy streaming of music from your tablet, smartphone and NAS.
- Written by Francisco Licon
- Published on 17 December 2014
The Pioneer VSX-1124-K is a current technology A/V receiver featuring 7.2 audio, HDMI inputs compatible with Ultra HD upscaling and advanced DAC technology. The VSX-1124-K features high power for a complete 7.2 channel system along with compatibility with current steaming sources.
- Written by Carlo Lo Raso
- Published on 18 August 2014
Putting together a new home theater setup? Looking to upgrade that old receiver you’ve had soldiering on valiantly in your a/v cabinet? Well, the home theater enthusiast should find themselves spoiled for choice these days. But I have quite a few reasons why you should check out the Anthem MRX 310 A/V Receiver with the Anthem Room Correction System.
- Written by Gabe Lowe
- Published on 27 October 2014
Denon’s IN-Command line of receivers puts network integration features at the top of the list. Combine them with the usual performance of a Denon receiver and you have a formidable entry in the mid-level receiver market. Here, we review their new AVR-X2100W 7.2 receiver.
- Written by Chris Heinonen
- Published on 24 March 2014
Receivers are hard to review. It's almost impossible to directly compare them to another model as there is so much wiring involved. Attempting to rely on memory has its own challenges, as it can be unreliable when it comes to audio. With all the difference sections of a receiver, from audio and video handling, to room correction and amplifiers, it is difficult to determine what is performing right and what is wrong. It was with great anticipation I delved into the new Arcam AVR750 receiver, the flagship model from the well-regarded UK company.
- Written by Chris Heinonen and Dr. David A. Rich
- Published on 22 October 2014
When it comes to room correction firmware in A/V procesors and receiver, Anthem Room Correction (ARC) stands above the rest. With more customization available to users, and better algorithms than competing products, it can help to improve your listening experience. Until recently, the only way to have ARC was with their expensive processors. Now, with the MRX 510 A/V receiver, you have full access to 7.1 channels of ARC in a $1,600 receiver.
- Written by Robert Kozel
- Published on 27 January 2014
Anthem's second-generation MRX receivers now offer more HDMI inputs, dual HDMI outputs, 4K upscaling and pass-through, faster HDMI switching and come in three models with the primary difference being the amount of amplification and number of channels. The entry level receiver is the MRX 310, which offers 80 watts per channel for 5.1 channels. The MRX 510 is the middle receiver in the MRX lineup and offers 100 watts per channel for 7.1 channels. The flagship model is the MRX 710, reviewed here, which offers 120 watts per channel for 7.1 channels. As for other differences between models, the MRX 710 and MRX 510 allow the front left and right speakers to be bi-amped. The MRX 710 and MRX 510 have seven rear and one front-panel HDMI input, while the MRX 310 has seven rear HDMI inputs. All three models support software updates via USB.