- Written by John E. Johnson, Jr.
- Published on 24 March 2011
I tested the BP-1.5 using a VPI HR-X turntable with Sumiko Blackbird MC cartridge, Lamm LL1 preamplifier, Classé CA-M600 monoblock power amplifiers, and Carver Mark IV ribbon speakers. Cables were Emotiva and Marc Audio.
When one thinks of classic jazz, John Coltrane immediately comes to mind. This Blue Note release typifies his incredible skills, and they come across beautifully with the BP-1.5. The quintet includes Coltrane on tenor sax, Paul Chambers on bass, Kenny Drew on piano, Curtis Fuller on trombone, Lee Morgan on trumpet, and Philly Jo Jones on drums. I listen to cymbals in particular when evaluating vinyl-related products, not only because I am a drummer, but cymbals are difficult to reproduce without getting an overly sibilant sound to them, and the BP-1.5 maintained a very clean sound.
Here is another famous album, also on Blue Note, with several artists who at one time or another, had their own bands. In this case, it is Cannonball Adderley (saxophonist), and it was Adderley's albums that got me interested in jazz when I was in high school. The wetness of the sax reed (the mouthpiece has a reed that produces the sound, and it has to be wet to work properly), as well as Blakey's cymbals had a sheen that was very impressive with the BP-1.5.
Intensity (Fantasy) was one of saxophone artist Art Pepper's best albums. He incorporated some of the improvisational style of pioneer John Coltrane, yet maintained harmonic melody lines. The BP-1.5 put Mr. Pepper just across the room from my easy chair. The sound staging was perfect. It's great to have a jazz ensemble sound like they are (almost) actually there, and you can listen to them sitting in just your underwear. Pepper died at age 57, most likely due to his drug use, and he spent a lot of his years in San Quentin instead of playing the saxophone.
Of all the classic jazz LP's that I have accumulated, this one (Blue Note) is at the top of my favorites list. It's not just because the music sounds so good, and it really sounded great with the BP-1.5, but rather, the pace of the music is at a speed that I can keep up with when playing along on my drumset. Sonny Clark was a jazz pianist, and was another of the world's best musicians who died young (age 32). Even Coltrane died young, age 40, but it was from liver cancer.
Jimmy Smith played a Hammond B3 organ, and in such a case, a band didn't absolutely require a bassist, because the organ has pedals for the low notes. In this quartet, Smith was on the B3, Stanley Turrentine played tenor sax, Kenny Burrell was on guitar, and Donald Bailey handled the percussion. Very deep bass, which an organ can produce, is difficult for an LP because the grooves would have to be very wide. The RIAA pre-emphasis curve attenuates the bass so the grooves are narrow. In fact, the RIAA curve is designed so that the grooves for all frequencies are the same width (assuming they are at the same volume). The pedal tones shook the room, which proved the worthiness of the MPS-2 power supply and the BP-1.5's frequency response.
Speaking of which, the measured frequency response of the BP-1.5, using RIAA pre-emphasis EQ, is shown below. It is flat out to 5 kHz, then rolls off slowly to be down 1 dB at 20 kHz. This slight roll off may contribute to the BP-1.5's smooth, easy to listen to, sound. Many classic LP's, even though they were remastered for today's market, were poorly recorded, having a harsh sound. The BP-1.5 didn't impart that harshness at all.
When I measured THD+N, it changed depending on how the input cables were positioned (cables from the phono cartridge to the phono preamp). This is because one is dealing with such low signal levels, just about anything electrical that is nearby, and also what else is going on electrically in your house - maybe even your neighbor's house - is enough to cause noise levels to change when you rearrange the cable placement. So, I just measured it with the cables here and the cables there, and the cables over the top, etc., etc. The result is that the BP-1.5 meets its low distortion specification, and I am again reminded of how careful you have to be in placing the cables between your turntable and the phono preamplifier.